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Waveform Coding Techniques - Cisco

    https://www.cisco.com/c/en/us/support/docs/voice/h323/8123-waveform-coding.html#:~:text=A-law%20and%20u-law%20are%20audio%20compression%20schemes%20%28codecs%29,data%20down%20to%20eight%20bits%20of%20logarithmic%20data.
    none

Mu-Law and A-Law Compression Tutorial - Jonathan Hays

    https://jonathanhays.me/2018/11/14/mu-law-and-a-law-compression-tutorial/
    when you compressed them. The compression is always 2:1, meaning that audio compressed with either of these algorithms will always be exactly half of their original size. Mu-Law and A-Law compression are both logarithmic forms of data compression, and are extremely similar, as you will see in a minute. One definition of Mu-Law is

Law Compression - an overview | ScienceDirect Topics

    https://www.sciencedirect.com/topics/engineering/law-compression
    The equation for the μ -law compressor is given by. (10.4) y = sign x ln 1 + μ x x max ln 1 + μ, where | x | max is the maximum amplitude of the inputs, while μ is a positive parameter to control the degree of the compression. μ = 0 corresponds to …

Basic Audio Compression - hugi.scene.org

    https://hugi.scene.org/online/coding/hugi%2017%20-%20cotadaud.htm
    Basic Audio Compression TAD Introduction This article describes some basic audio compression techniques. It is intended to be an introduction into the subject rather than a state-of-the-art code snippet library. If you already know about MP3, compounding and U-law/A-law then this article will probably bore you to tears because it won't cover ...

5.3.8 Algorithms for Audio Companding and …

    http://digitalsoundandmusic.com/5-3-8-algorithms-for-audio-companding-and-compression/
    5.3.8.1 Mu-law Encoding. Mu-law encoding (also denoted μ-law) is a nonlinear companding method used in telecommunications. Companding is a method of compressing a digital signal by reducing the bit depth before it is transmitted and then expanding it when it is received. The advantage of mu-law encoding is that it preserves some of the dynamic range that would be …

baudline solution - audio compression codecs

    https://www.baudline.com/solutions/codec/index.html
    A-law and u-law These companding codecs should have 78 and 84 dB of dynamic range but the SFDR measurements do not reflect this. While the logarithmic transform mappings do support this dynamic range claim the harmonic distortion added by the companding noise cut these claims almost in half.

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