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What Goes Into Audio Control Room Design | Fountainhead ...
https://www.fountainheadcontrolrooms.com/goes-audio-control-room-design/#:~:text=An%20audio%20control%20room%20has%20special%20needs%20that,line-of-sight%2C%20acoustics%2C%20mechanical%20systems%2C%20electronics%2C%20video%2C%20and%20lighting.
The SOS Guide To Control Room Design - Sound on Sound
https://www.soundonsound.com/techniques/sos-guide-control-room-design
Non-Environment: A control-room design philosophy where large amounts of absorption remove all room reflections that would otherwise arise from the sound radiated by the loudspeakers. Reflection-Free Zone (RFZ): (1) A control-room …
AES E-Library » Audio Control Room Design
https://www.aes.org/e-lib/browse.cfm?elib=4762
The higher aim of control room design is to provide the engineer with a neutral acoustic environment in which he or she can accuratelw 3udge the material being reproduced. The corner stone of current designs is the LEDE (Live End, Dead End) principle.
Control Room Design For The Small Studio | Pro Audio ...
http://proaudioencyclopedia.com/control-room-design-for-the-small-studio/
Since most small control rooms are rectangular in shape we’ll detail the design considerations for a room of that shape. Our primary goal is to eliminate severe resonant modes in the room and establish the low-frequency response of the room through the proper selection of room dimensions. RESONANT FREQUENCIES.
Design Considerations for Recording ... - Sound Control Room
https://www.soundcontrolroom.com/design-considerations-for-recording-studios.php
Control Room acoustics require shorter reverb times. Longer reverb is often desired in the “live” room. A good control room should sound the same as you move through the room. A large uniform “sweet spot” is desired. A good studio has varying acoustical character throughout the room providing different ambience for recording flexibility.
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