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Upsampling vs. Oversampling for Digital Audio | Audioholics

    https://www.audioholics.com/audio-technologies/upsampling-vs-oversampling-for-digital-audio#:~:text=Upsampling%20is%20on%20the%20other%20hand%20a%20rate,The%20figure%20below%20shows%20an%20example%20of%20oversampling.
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What is "Upsampling"? - inSync

    https://www.sweetwater.com/insync/upsampling/
    Upsampling is the process of inserting zero-valued samples between original samples to increase the sampling rate. (This is sometimes called “zero-stuffing”.) This kind of upsampling adds undesired spectral images to the original signal, which are centered on multiples of the original sampling rate.

Upsampling? | Stereophile.com

    https://www.stereophile.com/content/upsampling-1
    Upsampling: Take a digital stream that is at one sample-rate and bit-depth and create more slices (higher sample-rate) at a finer bit resolution (more bits = greater bit-depth). This can happen anywhere a designer sees fit to do it. A DAC will automatically adjust to an incoming digital sample-rate/bit-depth up to its internal capability.

What is the point of upsampling? | Audio Science Review ...

    https://www.audiosciencereview.com/forum/index.php?threads/what-is-the-point-of-upsampling.7329/
    Converting a digital (sampled) signal to a continuous analogue waveform requires interpolation to produce the values between sample points. Doing part of this interpolation digitally (upsampling) simplifies the analogue circuitry and gives better results. That's all …

Upsampling and Downsampling - Stanford University

    https://ccrma.stanford.edu/~jos/JFB/JFB_2up.pdf
    audio coding”) are based on critically sampled filter banks, for obvious reasons. •Important Point: We normally do not require critical sampling for audio analysis, effects, and music 19 applications. We normally only need it when compression is a requirement. Two-Channel Critically Sampled Filter Banks 2) After upsampling, the signals ...

Upsampling or Oversampling? | Stereophile.com

    https://www.stereophile.com/asweseeit/344/index.html
    Ayre Acoustics' main man was talking about "upsampling," whereby conventional "Red Book" CD data, sampled at 44.1kHz, are converted to a datastream with a higher sample rate. (Because of its association with DVD-Audio, 96kHz is often chosen as the new rate.)

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