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Status of Warble-Tone in Audiometers: Audiology: Vol 11 ...

    https://www.tandfonline.com/doi/abs/10.3109/00206097209089303#:~:text=The%20warble-tone%20is%20included%20in%20those%20audiometers%20which,more%20manufacturers%20offering%20it%20as%20an%20additional%20stimulus.
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Warble tone as an audiometric stimulus - PubMed

    https://pubmed.ncbi.nlm.nih.gov/1234948/
    This finding is thought to support the notion that the audiologist may use warble tone with stimulus parameters up to and including frequency deviations of +/- 5% with modulation rates of five per second to measure thresholds, which are directly comparable to pure-tone thresholds for patients with normal hearing and those with relatively flat hearing loss.

Warble Tone as an Audiometric Stimulus | Journal of Speech ...

    https://pubs.asha.org/doi/10.1044/jshd.4003.351
    Although significant differences were found at four of the six test frequencies, mean differences were quite small, the largest being 2.3 dB at 8000 Hz. This finding is thought to support the notion that the audiologist may use warble tone with stimulus parameters up to and including frequency deviations of ±5% with modulation rates of five per second to measure thresholds, which are …

Audiometric Testing With Pulsed, Steady, and Warble …

    https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5831060/
    Using warble tones for standard audiometry also poses an additional concern related to the role of off-frequency listening in tone detection. Hamill and Haas (1986) posited that the lower thresholds for warble tones is caused by off-frequency listening, in which the frequency spread of a warble tone allows regions of hearing with better sensitivity to detect the …

Audiometric Testing With Pulsed, Steady, and Warble …

    https://pubmed.ncbi.nlm.nih.gov/28892822/
    Method: Audiometric thresholds (octave frequencies from 0.25-16 kHz) were measured using steady, pulsed, and warble tones in 61 listeners, who were divided into 4 groups on the basis of hearing and tinnitus status. Participants rated the appeal and difficulty of each tone type on a 1-5 scale and selected a preferred type.

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