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Spectral balance and spectral mixing - sonible

    https://www.sonible.com/blog/spectral-balance-spectral-mixing/
    Spectral balance concerns both single audio tracks and mixes but let’s focus on single audio tracks first. Generally, spectral balance is a well-balanced distribution of energy throughout the frequency spectrum. Due to the …

Spectral Balance - Acoustic Fields

    https://www.acousticfields.com/spectral-balance/
    So Spectral Balance is very important in our mixes, very important to the mastering engineer but equally important in room sound so when we …

Sound System Spectral Balance | AVIXA

    https://www.avixa.org/standards/sound-system-spectral-balance
    Audio System - Performance Description This Standard defines a measurement and verification process for sound system reproduction of spectral balance, also known as uniform frequency response, accomplished by documenting the frequency response from the sound system across a specified bandwidth within a low- to high-frequency range within the listening area.

Spectral Balance - Studio Six Digital

    https://www.studiosixdigital.com/audiotools-modules-2/acoustic-analysis-modules/spectral-balance.html
    The Spectral Balance module in AudioTools takes its frequency data points from two files, one for the low frequencies, and one for the high frequencies. The crossover point is determined by a formula that uses the room dimensions. Available in AudioTools on the App Store.

SpectralBalance - Accentize

    https://www.accentize.com/spectralbalance/
    Automatically Equalize Speech with. SpectralBalance. SpectralBalance is an intelligent equalizer plugin for dialogue recordings. By continuously analysing the audio signal it automatically adapts its EQ-curve to correct spectral imbalances in order to achieve clear neutral sounding speech. The efficient workflow makes it a very useful and time-saving tool for professionals who have to …

Spectral balance - PS Audio

    https://www.psaudio.com/pauls-posts/spectral-balance/
    Part of the issue building systems around a class of music not orchestral—say a jazz or rock-centric setup—is a limited spectral balance. An orchestra covers the full frequency range of music, from the lowest 16Hz pedal notes of the Saint-Saëns Symphony No. 3 to the distant bells in C and G of the Berlioz Symphony Fantastique; and dynamic contrasts not often …

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