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BiblioToscana - Seconda pratica

    https://biblio.toscana.it/argomento/Seconda%20pratica
    Seconda pratica, in contrapposizione a prima pratica, fu un neologismo coniato dal compositore Claudio Monteverdi per distinguere il suo modo di scrivere musica da quello praticato da Giovanni Pierluigi da Palestrina e Gioseffo Zarlino, descritto come …

'Seconda Pratica': A Background to Monteverdi's …

    https://www.jstor.org/stable/730115
    "SECONDA PRATICA": A BACKGROUND TO MONTEVERDI'S MADRIGALS BY DENIS ARNOLD ALTHOUGH studies of Monteverdi's life and music have appeared in the last thirty years in Italian, English, German and French, we still know comparatively little about the background from which his music sprang. A recent work on his operasI has admittedly explored

HOASM: Monteverdi and Seconda Prattica

    http://www.hoasm.org/VB/SecondaPrattica.html
    1. Monteverdi's brother, Giulio Cesare, outlines what Claudio himself meant by the term prima prattica, in a manifesto printed with the Scherzi Musicali published in 1607: "By First Practice he understands the one that turns on the perfection of the harmony, that is, the one that considers the harmony not commanded, but commanding, not the servant, but the mistress of the words, …

THE LANGUAGE OF LAMENT: GIACHES DE WERT AND …

    https://etda.libraries.psu.edu/files/final_submissions/11799
    The term seconda pratica is typically used in describing Monteverdi’s philosophy of musical expression, rationalizing the novel gestures appearing in his Fourth and Fifth Books of madrigals and his subsequent compositions, as serving the expressive and rhetorical demands of

E LA SECONDA PRATICA - Libero.it

    https://digilander.libero.it/gianuario/nuova_pagina_6.htm
    Quando Monteverdi cita una « seconda pratica da considerare intorno al armonia » (lettera cit. del 22 ott. 1633) è esplicito l'indice del fenomeno armonico colto da un diverso angolo percettivo di quello da cui era colto il rapporto armonico di prima pratica e poiché egli stesso cita fra i cultori di seconda pratica autori assolutamente ...

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