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Flex4K - How do I start working with ProRes and Audio?
https://phantomhighspeed-service.force.com/PhantomCommunity/s/article/Flex4K-how-do-I-start-working-with-ProRes-and-Audio
Select ProRes 422 HQ from the CineMag menu of the camera, or in PCC. Working with Audio requires the use of a digitizer, such as the Sound Devices MixPre-D, to supply an AES/EBU signal to the camera. Currently, all ProRes and Audio files on a CineMag IV must be downloaded using Windows-based Phantom PCC software.
About Apple ProRes - Apple Support
https://support.apple.com/en-us/HT202410
Apple ProRes 422 LT. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. This codec is perfect for environments where storage capacity and data rate are at a premium. The target data rate is approximately 102 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes and ProRes RAW Authorized ... - Apple Support
https://support.apple.com/en-us/HT200321
Apple ProRes is one of the most popular video formats in professional video production and post-production. ProRes is a codec technology developed by Apple for high-quality, high-performance editing in Final Cut Pro. Go to ProRes RAW products Apple ProRes RAW applies ProRes compression technology to RAW image data from the camera sensor.
ProRes Audio Setting? - Apple Final Cut Pro Legacy ...
https://creativecow.net/forums/thread/prores-audio-settingae/
The ProRes file is perfect because of the file size. 3.5 Gbs for the uncompressed and about 400 mbs for ProRes. My question is, because the uncompressed file has 16 channels of mono audio (which was weird to me, this came from an outside source), I want to re-encode the audio to 2 channel stereo.
A guide to ProRes and ProRes RAW - Videomaker
https://www.videomaker.com/how-to/editing/a-guide-to-prores-and-prores-raw/
ProRes is one of the most well-known and widely used video file formats. It combines extremely high image quality with small file sizes for efficient playback. ProRes RAW is the relatively new kid on the block and adds the power of RAW video to the benefits of the ProRes codec. If you aren’t sure what any of that means, don’t worry!
Apple ProRes
https://www.apple.com/final-cut-pro/docs/Apple_ProRes_White_Paper.pdf
Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. The target data rate of Apple ProRes 422 Proxy is approximately 45 Mbps at 1920 x …
Solved: Export a QT Prores 422 with 5.1 audio correctly ma ...
https://community.adobe.com/t5/premiere-pro-discussions/export-a-qt-prores-422-with-5-1-audio-correctly-mapped/m-p/8980878
in premiere, make sure you have each surround stem in a mono track and nota multichannel mono track.otherwise, when you export the stem, the audio levels will be lowered considerably.new custom sequence, with multichannel mono audio tracks (6 total)important you choose multichannel and not 5.1...for some reason it lowers the audio volume on …
Apple ProRes 422 Codec Family - loc.gov
https://www.loc.gov/preservation/digital/formats/fdd/fdd000389.shtml
While ProRes is a 10-bit native codec, it can be used with either 8- or 10-bit sources and 8-bit sources (such as DVCProHD) would need to be upsampled to a 10-bit file. The Apple ProRes codecs, both the 422 and 4444 families, support both interlaced and progressive scanned images and preserve the scanning method used in the source material.
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