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Apple ProRes - Wikipedia

    https://en.wikipedia.org/wiki/Apple_ProRes#:~:text=All%20ProRes422-variants%20use%20Chroma%20subsampling%20of%204%3A2%3A2%20at,can%20optionally%20include%20an%20alpha%20channel.%20ProRes%20422
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Apple ProRes

    https://www.apple.com/final-cut-pro/docs/Apple_ProRes_White_Paper.pdf
    Sample Bit Depth 10 Properties of Apple ProRes Codecs 11 Data Rate 12 Quality 15 Performance 18 Alpha Channel Support in Apple ProRes 4444 Codecs 22 Appendix23 Target Data Rates 23 Glossary26 . Apple ProRes January 2020 3 Introduction Apple ProRes is one of the most popular codecs in professional

Prores to Prores bit depth - Adobe Support Community - 9347711

    https://community.adobe.com/t5/adobe-media-encoder/prores-to-prores-bit-depth/m-p/9347711
    For reasons, listed below but not needed to answer the question, I have to export a ProRes 422 1080i 29.97 file to exactly the same specs in media encoder. Does the 8 bpc vs 16 bpc vs render at maximum bit depth have any effect on the image? We combine our audio mix and Graded master in FCP 7 and export reference quicktimes to episode engine.

Confusion about ProRes bit depth export settings - Adobe ...

    https://community.adobe.com/t5/premiere-pro-discussions/confusion-about-prores-bit-depth-export-settings/m-p/8430488
    Apple ProRes 4444 XQ and Apple ProRes 4444 support image sources up to 12 bits and preserve alpha sample depths up to 16 bits. All Apple ProRes 422 codecs support up to 10-bit image sources, though the best 10-bit quality is obtained with the higher-bit-rate family members—Apple ProRes 422 and Apple ProRes 422 HQ.

About Apple ProRes - Apple Support

    https://support.apple.com/en-us/HT202410
    Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. Apple ProRes 4444 XQ features a target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps.

Apple ProRes - Wikipedia

    https://en.wikipedia.org/wiki/Apple_ProRes
    10-bit sample depth; I frame-only encoding; Variable bitrate encoding; Normal 147 Mbit/s and High-Quality 220 Mbit/s and ProRes (LT) 100Mbit/s as well as ProRes Proxy for HD 45Mbit/s for HD resolution at 60i; Normal 42 Mbit/s and High-Quality 63 Mbit/s for SD resolution at 29.97; Fast encoding and decoding (both at full size and half size)

A guide to ProRes and ProRes RAW - Videomaker

    https://www.videomaker.com/how-to/editing/a-guide-to-prores-and-prores-raw/
    ProRes is also a 10-bit codec which means that it can display 4 times the range of colors and shades when compared to an 8-bit file format. This reduces color banding in areas of gradation in tone, such as a blue sky. To understand bit depth in more detail, read the Videomaker article Understanding Bit-depth and Color Rendition for Video

Apple ProRes 422 Codec Family - loc.gov

    https://www.loc.gov/preservation/digital/formats/fdd/fdd000389.shtml
    Gary Adcock explains the benefits of ProRes utilizing variable bit rate in this way: "ProRes, being a variable bit rate (VBR) codec, allows the more complex parts of the video to be encoded at a higher bit depth for more detail, while the less complex areas are encoded at a lower bit depth, thereby allowing for overall smaller file sizes [than uncompressed video]. ProRes is …

The Ultimate Guide to Premiere Pro's Render Quality …

    https://blog.frame.io/2021/06/07/premiere-pro-max-render-quality-max-bit-depth/
    For example, RED RAW is 12-bit, and Maximum Bit Depth chooses between decoding the frames at 8-bit vs using the full 12-bit. There’s no list of what these formats are, but editors using ProRes should know that without MBD set, ProRes will be decoded in 8-bit , even though the ProRes source is always 10-bit or more.

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