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"Plunderphonics, or Audio Piracy as a Compositional ...
http://www.plunderphonics.com/xhtml/xplunder.html
"Plunderphonics, or Audio Piracy as a Compositional Prerogative" ... listeners are once again, if not invited, nonetheless encroaching upon creative territory. This prerogative has been largely forgotten in recent decades. The now primitive record-playing generation was a passive lot (indigenous active form scratch belongs to the post-disc ...
Plunderphonics, or Audio Piracy as a Compositional ...
https://www.scribd.com/document/40808142/Plunderphonics-or-Audio-Piracy-as-a-Compositional-Prerogative
Plunderphonics, or Audio Piracy as a Compositional Prerogative - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. Musical instruments produce sounds. Composers produce music. Musical instruments reproduce music. Tape recorders, radios, disc players, etc., reproduce sound.
plunderphonics literature review
http://www.andrewtholl.com/uploads/9/0/8/6/9086633/plunderphonics_literature_review.pdf
mentioned “Plunderphonics, or Audio Piracy as a Compositional prerogative” has appeared in at least three different sources.4 The other frequently cited articles are “Bettered by the 4 Oswald, Musicworks 34, 5-8; Negativland, Fair Use: The Story of the Letter U and the Numeral 2, (Concord:
Plunderphonics, or Audio Piracy as a Compositional Prerogative
https://econtact.ca/16_4/oswald_plunderphonics.html
Plunderphonics, or Audio Piracy as a Compositional Prerogative by John Oswald This paper was initially presented by the author at the Wired Society Electro-Acoustic Conference in …
media
https://www.sunydutchess.edu/faculty/allen/waxpoetics_archives/Volume-4.pdf
(e) John Oswald’s article “Plunderphonics, or Audio Piracy as a Compositional Prerogative” contained within the anthology The Cassette Mythos (Autonomedia 1990); (f) John Oswald’s article “Creatigality” contained within the
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