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EASE® | Ahnert Feistel Media Group - Software - EASE

    https://www.afmg.eu/en/ease-enhanced-acoustic-simulator-engineers
    The EASE ® software suite provides system designers and consultants with an invaluable set of tools for all aspects of professional practice, from detailed, realistic modeling and simulation of venue acoustics and sound system performance to informative and engaging client presentations, as well as professional data assessment and verification. Rooms can be defined …

EASE - Enhanced Acoustic Simulator for Engineers

    https://www.mediterraneanacoustics.com/ease---enhanced-acoustic-simulator-for-engineers.html
    EASE - Enhanced Acoustic Simulator for Engineers. The EASE software suite provides system designers and consultants with an invaluable set of tools for all aspects of professional practice, from detailed, realistic modeling and simulation of venue acoustics and sound system performance to informative and engaging client presentations, as well as professional data …

EASE Focus Acoustic Modeling Software — VUE Audiotechnik

    https://vue-audiotechnik.com/ease-focus-acoustic-modeling-software/
    EASE Focus 2 is a three-dimensional, acoustic simulation software for the configuration and modeling of line array systems, digitally steered array and conventional loudspeakers. EASE Focus 2 is free for the VUE has licensed the al-4, al-8 and h-class family of products to for use in EASE Focus 2.0 and above.

Loudspeaker Modeling Software - QSC Audio Products

    https://www.qsc.com/systems/products/loudspeakers/loudspeaker-modeling-software/
    EASE Address EASE Address is a software that allows the modeling of distributed loudspeaker systems in two dimensions. EASE Focus 3 EASE Focus 3 is a three-dimensional, acoustic simulation software for the configuration and modeling of line array systems, digitally steered columns and conventional loudspeakers. Download version 1.1.12.98

Predictive Acoustics and Acoustical Modeling Software: EASE

    https://audioxpress.com/article/predictive-acoustics-and-acoustical-modeling-software-ease
    EASE V. 2 was released in 1993. In 1999, EASE V. 3.0, the first version designed for Windows 95/NT/ME/2000 was released by Ahnert, Stefan Feistel, and Rainer Feistel. From 1998 to 2001, another important analysis program, CAESAR, was developed by Michael Vorländer and Andreas Schmitz of Aachen University in Germany.

EASE Focus - Universal Sound System Modeling in 3D

    https://www.mediterraneanacoustics.com/ease-focus---universal-sound-system-modeling-in-3d.html
    EASE Focus 3 - Universal Sound System Modeling in 3D. EASE Focus 3 is an acoustic simulation program for 3D modeling of line arrays, sub arrays, digitally steered columns and conventional loudspeakers. Thanks to the support from major loudspeaker manufacturers, EASE Focus 3 is free software for the end user. Based on AFMG’s leading simulation software EASE, this …

Acoustic modeling - Acoustic Group

    https://acoustic-group.com/engineering/modeling/
    The EASE software, together with the additional module AURA are aimed to model the operation of the loudspeakers system in the premises and the acoustic parameters of the premises. With a help of this software all the main acoustic parameters of the premises can be calculated (the reverberation time RT, STI, С80, D50, LF and others).

Audio Modeling | SWAM and Sound Engine Technologies

    https://audiomodeling.com/
    Audio Modeling created Camelot in collaboration with Fatar, world-class manufacturer of keyboards and MIDI controllers. Camelot takes an innovative approach to live performance management, fully integrating software instrument and effects plugins, MIDI hardware synths, MIDI controllers, and even backing tracks.”

Simulation Tools (Ease Focus 3) | Sound Engineering

    https://www.tecnare.com/simulation-tools/
    EASE Focus Release 1 EASE Focus is a software that allows the modelling of acoustic sources, in particular line arrays, in two dimensions. It only considers the direct field, created by the complex addition of the sound contributions of …

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