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The Problem With DVD Audio Mixes—And What To Do …

    https://www.popularmechanics.com/culture/movies/how-to/a12561/4320807/
    DVD publishers may also tinker with a film's volume levels if they are transforming a studio-provided 5.1-channel surround-sound track into a stereo mix for use by home users who don't have full ...

Mixing levels for Dolby Digital: DVD vs. theatrical at ...

    https://www.dvinfo.net/forum/all-things-audio/102523-mixing-levels-dolby-digital-dvd-vs-theatrical.html
    Adjust each monitor in turn, muting all the others and set the monitor amplifier levels to produce an SPL of 81dB on each channel, setting all speakers to the same level if going to DVD release. If going to broadcast or analog videotape, use 79dB SPL instead.

Mixing Sound for Film - Audio Post Production, An …

    https://www.thebeachhousestudios.com/mixing-sound-for-film-audio-post-production-overview/
    Cinema, and DVD can be a little more lax than television, but it has been my experience that mixing film audio to the BS 1770-3 a.k.a. A85 standards established by the CALM act works out very well. This kind of tool can guide you during mixing and help you arrive at a balanced smooth sounding mix that won’t blow up anybody’s speakers.

Audio mixing 101: Everything you need to know to create ...

    https://soundguys.com/audio-mixing-guide-43045/
    When you mix a recording with a full drum kit, first turn all the volume controllers (faders) all the way down, and then slowly bring up the kick drum until it’s at an appropriate level of loudness. (The actual decibel level will depend on your genre, because some genres have a much louder kick drum than others relative to the whole song.

Setting Mixing Levels Before Mastering

    https://www.cdmusicmastering.com/setting-mixing-levels-before-mastering.html
    The mixing levels for each instrument should NEVER go over 0 level, and your mixing levels on your main/stereo out should never go over 0 level. There's really no need to because overall volume boosts are done in mastering NOT mixing! And, most of the time going over-level means instant distortion on the track.

Why is the audio level on DVDs often so low? | Steve ...

    https://forums.stevehoffman.tv/threads/why-is-the-audio-level-on-dvds-often-so-low.291070/
    The level isn't low. Films have a lot more dynamic range than most music, and most people do not have the systems or acoustics to play back a proper 5.1 movie mix, and most people have not properly calibrated their surround systems either. A high-performance surround system in an acoustically treated space that's properly calibrated and played at (or near) …

The Best Listening Level for Mixing — Rick Allen Creative ...

    https://www.rickallencreative.com/production-buzz/best-listening-level-mixing/
    While 85dB is the mixing level suggested for larger pro control rooms, when I talked with Grammy-nominated Capitol Studios staff engineer, Steve Genewick, he mentioned that when mixing in a smaller room, stay closer to 75dB.

Low audio levels in DVD Studio Pro at DVinfo.net

    https://www.dvinfo.net/forum/dvd-authoring/467077-low-audio-levels-dvd-studio-pro.html
    I use the Compressor DVD Best Quality settings which produce a Dolby 2.0 AC3 file (48 kz. 16 bit 2 channel Center Mix -3 db, Surround Mix -3 and Dialog Normalization -27 dbFS) and an MPEG 2 video file.

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