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NAB MAGNETIC TAPE RECORDING AND REPRODUCING STANDARDS …

    https://www.richardhess.com/tape/history/NAB/NAB_Reel_Tape_Standard_1965_searchable.pdf#:~:text=It%20shall%20be%20standard%20that%20magnetic%20tape%20width,tape%20shall%20not%20exceed%200.0022%20inches.%201.03%20Length.
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Nortronics Magnetic Tape Heads Specifications

    http://lcweb2.loc.gov/master/mbrs/recording_preservation/manuals/Nortraonics%20Magnetic%20Tape%20Heads%20Specifications.pdf
    are 3, 4, 8, 12 and 16 Channel Studio heads for 1/2-inch to 2-inch tape applications. The PREMIUM heads are a fully professional line of tape heads, giving unsurpassed performance for broadcast, studio and exacting semi-professional applications. Long life and extended high frequency response at slower tape speeds are among the benefits. The STANDARD versions offer …

NAB MAGNETIC TAPE RECORDING AND REPRODUCING …

    https://www.richardhess.com/tape/history/NAB/NAB_Reel_Tape_Standard_1965_searchable.pdf
    It shall be standard that magnetic tape width shall be 0.246 inches 2 0.002 inches for nominal one-quarter inch sound recording tape. 1.02 Thickness. It shall be standard that the thickness of magnetic tape shall not exceed 0.0022 inches. 1.03 Length. It shall be standard that magnetic tape be supplied in the following minimum

NAB AUDIO RECORDING AND REPRODUCING STANDARDS …

    https://www.richardhess.com/tape/history/NAB/NAB_Cassette_Tape_Standard_1976_searchable.pdf
    The tape has a minimum yield strength of 1.5 pounds (.650 Kg) at 57% elongation under environmental test conditions. (see Section 1.80) 1.25 Tape Wind It shall be standard that the magnetic tape be wound on both hubs within the cassette with the magnetic coating facing out from the hub and out of the cassette head openings and with the tape

Digital Audio Standards - Audio Engineering Society

    https://www.aes.org/aeshc/docs/aeshist/standards.hist/digital.standards/jaes26-1.pdf
    Japanese magnetic tape and optical disk systems now in development for consumer applications. He said that they would consider the possibility of using the 45-kHz fre- quency proposed by Heaslett. 1.5 Mr. Willcocks gave the available technical details of some 14 presently-used digital audio systems. He sub-

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