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Venom - M-Audio

    https://m-audio.com/products/view/venom
    MIDI In and MIDI Out (5-pin DIN) large custom LCD 4 rotary encoders and 1 button for performance control and editing dual-function octave up/down and transpose controls assignable pitch bend and modulation wheels sustain (1/4" TS) and expression (1/4" TRS) pedal inputs included Vyzex Venom software editor

M-Audio Venom - Sound on Sound

    https://www.soundonsound.com/reviews/m-audio-venom
    The Venom's rear panel features a pair of quarter‑inch audio outputs, stereo RCA audio inputs, quarter‑inch instrument and mic inputs, sockets for an expression and a sustain pedal, MIDI I/O ports, a USB 2 port and a socket for the external power supply. The headphone output is at the front of the synth.

M-Audio Venom Editor Librarian - Sound Quest Music Software

    https://squest.com/Products/MidiQuest12/Instruments/M-AudioVenom/
    Midi Quest is the only editor/librarian ever to receive a 10 out of 10 rating from Electronic Musician. The M-Audio Venom Editor Librarian is available in: Midi Quest Pro ($399US) Midi Quest ($279US) Midi Quest Essentials ($159US) More information on Midi Quest Compare Midi Quest versions Midi Quest Instrument Support List

Layout: M-Audio Venom - Single and Multi Editor - MIDI ...

    https://www.mididesigner.com/qa/7466/layout-m-audio-venom-single-and-multi-editor
    The idea was to step one pattern + or - on all parts in multi mode, like a song mode for your own patterns in row. There is a midi switch if needed from midi DIN to USB, but you will loose connection and have to switch back by using venoms shortcut "edit + out (gis3)" or sending similar sysex via midi USB to venom. Downloads: 1668

M-Audio Venom | Rogue Music | Reverb

    https://reverb.com/item/901081-m-audio-venom
    The M-Audio Venom 49-key synthesizer combines the character of classic analog synths with modern digital processing to deliver an aggressive, infectious new sound. Whet your appetite with the included presets, then sink your teeth into creating original sounds—from atmospheric and subtle, to angry and downright nasty.

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