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Interference | A Journal of Audio Culture

    http://www.interferencejournal.org/
    This special issue of Interference (Issue 7) Sound + Environment: Sense of Place, publishes expanded articles based on peer reviewed papers selected for the Sound + Environment 2017 conference held at the University of Hull in June/July 2017. It is one of three journal issues publishing work from the conference.

About - Interference | A Journal of Audio Culture

    http://www.interferencejournal.org/about/
    The journal seeks to balance its content between scholarly writing, accounts of creative practice, and an active engagement with current research topics in audio culture. Interference Journal is supported by Lancaster Institute for the Contemporary Arts (LICA).

Interference: A Journal Of Audio Culture - Home | Facebook

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Editorial: An Ear Alone is Not a Being - Interference

    http://www.interferencejournal.org/editorial-issue-2-2/
    In this inaugural issue of Interference: a Journal of Audio Culture, it is no longer necessary that we open the discussion with an appeal to the neglected sensory anthropologies, oblique or tangential histories, alternative geographies, communities or epistemologies that underscore an absence of sound from critical theory. Instead we begin with an acknowledgement of the …

Interference 2011 : Interference: A Journal of Audio ...

    http://www.wikicfp.com/cfp/servlet/event.showcfp?eventid=18661
    Issue 3.0 Interference A Journal of Audio Culture, Call for Papers: Noise Please As seen with the growing vocabularies of dissonance, the retro-commodification of glitch aesthetics, and the many rich-media anthologies now exclusively devoted to the characterisation of noise, the act of qualification frequently absorbs difference.

Yolande_Harris_Sonic_Acts - A Journal of Audio Culture

    http://www.interferencejournal.org/spectral-soundscapes-exploring-spaces-of-remembrance-through-sound/
    Audio culture can, and has, taken central stage in the on-going reflections on this demand especially keeping in mind that sound is, itself, as David Toop recognises, a haunting, a ghost, a presence whose location in space is ambiguous and whose existence in time is transitory.

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