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Headroom (audio signal processing) - Wikipedia
https://en.wikipedia.org/wiki/Headroom_%28audio_signal_processing%29#:~:text=In%20digital%20and%20analog%20audio%2C%20headroom%20refers%20to,system%20or%20the%20audio%20signal%2C%20e.g.%2C%20via%20clipping.
Headroom in Audio Recording: What, Why, & How - …
https://ledgernote.com/columns/studio-recording/headroom-in-audio-recording/
Headroom is the space between the sweet spot and the distortion ceiling. You don't want to or need to fill up that space during the recording or mixing stages of the recording process. You want to save it for the mastering engineer. You'll learn why in a second. Why Do We Care About Headroom in Audio?
What Is Headroom In Audio: Find Out | Craig Kohland
https://www.craigkohland.com/headroom-in-audio/
Audio headroom is the space between your highest (transient) peaks and 0 dB, and NOT between the average (RMS) level of your range and 0 db (which will still clip). Leaving headroom is crucial. It will help you: Prevent your clipping mix and distortion. Give the space needed for you to work the mastering.
What You Need to Know About Headroom - inSync
https://www.sweetwater.com/insync/need-know-headroom/
Headroom in the Analog Recording World Technically speaking, headroom (when measured in d eci B els) is the ratio of the maximum amount of undistorted signal a system can handle compared to the average level for which the system is designed. For example, suppose you have a home recording setup with a nominal -10dB average level.
Headroom: How to Set Your Levels in Mixing and Mastering
https://www.izotope.com/en/learn/headroom-how-to-set-levels-mixing-and-mastering.html?&deliveryName=iZo11.20.2021SuitesNLDM
Headroom is defined as the available level above the nominal level before clipping. In order to fully understand this definition, we need to make sure we have two other terms under our belt as well: clipping and nominal level. Clipping is essentially the level at which an audio system runs out of steam.
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