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5 Broadcast Audio Spec Sheet Terms Every Editor Must ...

    https://blog.frame.io/2017/08/09/audio-spec-sheet/#:~:text=Generally%20speaking%2C%20your%20audio%20must%20measure%20between%20-23,mixes%20and%20can%20often%20apply%20to%20other%20mixes.
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Broadcast Audio Levels | AudioPressBox

    https://www.audiopressbox.com/pages/broadcast-audio-levels
    Broadcast Audio Levels - Portable APB-112 SB-D – Active, Portable, AudioPressBox unit, 1 channel DANTE input, 12 LINE/Mic outputs 1 channel DANTE input - RJ45 ethercon 12 high quality balanced, individually transformer isolated outputs. each output is switchable between Line or MIC level. the unit is powered only via PoE from DANTE network

5 Broadcast Audio Spec Sheet Terms Every Editor Must ...

    https://blog.frame.io/2017/08/09/audio-spec-sheet/
    Generally speaking, your audio must measure between -23 and -25 LKFS for the entire length of the program, although this can vary depending on the distributor. This loudness standard applies to both stereo and surround mixes and can often apply to other mixes.

Broadcast Audio Levels - Apple Final Cut Pro Legacy ...

    https://creativecow.net/forums/thread/broadcast-audio-levels/
    April 8, 2010 at 3:55 pm The correct level is whatever the broadcaster says it is. Usually the peak is around -6 or -3 but we delivered to one European network that required the peak to be -16 with the entire show normaled at -20. Way too low for my tastes, but that’s what they required and that’s what we delivered.

Introduction to Broadcast Loudness Standards - Pro …

    https://theproaudiofiles.com/introduction-broadcast-loudness-standards/
    In the US, the measurement value is called Loudness K-weighted Relative to Full Scale (LKFS), and the required value is -24dB. For $699, Dolby made the first plugin to measure the new standard (called A/85 in the US).

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