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Levelmatic for Final Cut Pro, Premiere Pro, DaVinci ...

    https://fxfactory.com/info/levelmatic/#:~:text=Automatic%20Level%20Adjustment%20for%20Final%20Cut%20Pro%2C%20Premiere,away%20from%20the%20microphone%2C%20and%20it%27s%20too%20quiet.
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Is Your Audio Mix Too Loud? - FCP

    https://fcp.co/final-cut-pro/tutorials/2446-is-your-audio-mix-too-loud
    This simple audio processing filter will adjust the overall level to the desired LUFS value. Final Cut Pro doesn’t work like a traditional mixer, but that won’t prevent you from completing a polished mix. Just think through the steps …

Audio Loudness in Final Cut Pro X with Free Plugin from ...

    https://www.youtube.com/watch?v=xgDKF5Rjj7s
    For those who edit in Final Cut Pro X, ensuring that your audio was loud, but not too loud, and consistent from video to video has been a challenge. Of cours...

Adjust volume in Final Cut Pro - Apple Support

    https://support.apple.com/guide/final-cut-pro/adjust-volume-verc1fabb77/mac
    In the Final Cut Pro timeline, select one or more audio clips or video clips with audio. Do one of the following: Adjust the volume in +1 or –1 dB increments: Choose Modify > Adjust Volume, then choose Up or Down, or press Control-Plus Sign (+) or Control-Minus Sign (–).

Audio Loudness in Final Cut Pro X with Free Plugin from ...

    https://www.learnlightandsound.com/blog/2017/9/2/audio-loudness-in-final-cut-pro-x-with-free-plugin-from-youlean
    Live. •. For those who edit in Final Cut Pro X, ensuring that your audio was loud, but not too loud, and consistent from video to video has been a challenge. Of course you could buy expensive plugins to help with this and often what the pros do (it’s the cost of doing business and broadcasting your pieces on TV).

Reduce noise with Denoiser in Final Cut Pro - Apple Support

    https://support.apple.com/guide/final-cut-pro-logic-effects/reduce-noise-with-denoiser-lgex938915ad/mac
    Locate a section of the audio where only noise is audible, and set the Threshold value so that only signals at or below this level are filtered out. Play the audio signal, and set the Reduce value to the point where noise reduction is optimal but little of the appropriate signal is reduced. If you encounter artifacts, use the Smoothing controls.

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