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PluralEyes 3/3.5: Why didn't it sync? – Maxon Support Center
https://support.maxon.net/hc/en-us/articles/211372698-PluralEyes-3-3-5-Why-didn-t-it-sync-#:~:text=Audio%20tracks%20are%20missing%20in%20the%20synced%20sequence,have%20a%20red%20slash%2C%20indicating%20they%20are%20offline
Final Cut Pro – MultiClip – Audio not syncing - Apple ...
https://creativecow.net/forums/thread/final-cut-pro-multiclip-audio-not-syncing/
If I try to have a multiclip with just the audio and one camera – same results, no matter which camera (1 or 2) I attempt to multiclip the audio with. Originally, the audio track was 48 Khz and 24-bit Integer, so I made a new version at 41.1 Khz and 16-bit integer (to be the same settings as the video audio ) either way – I’m still having ...
Final Cut Pro X (FCPX) no sound issue - Apple Community
https://discussions.apple.com/thread/8059185
There is audio being registered as you can see the metres move even though you cannot hear it. Looks like mono. Jump into the Inspector>Audio Configuration section and change it to stereo or dual mono: Also try resetting FCP X, hold Option-Command as FCP X launches. Al
Final Cut Pro multicam editing workflow - Apple Support
https://support.apple.com/guide/final-cut-pro/multicam-editing-workflow-ver10e087fd/mac
Shoot an event with multiple cameras and record appropriate sync information. A …
25 Hour Day: Multiclip Tips for Final Cut Pro
https://brucesharpe.blogspot.com/2009/07/multiclip-tips-for-final-cut-pro.html
First we notice that PluralEyes says it couldn't make a multiclip because of the audio-only track. But even if it could you wouldn't like the result. Final Cut puts every clip into a separate angle. We have three cameras so you would expect three angles, but Final Cut would give you 17 angles, one for each clip. This is not very useful.
PLEASE HELP! Multicam not syncing audio - FCP.co Forum
https://fcp.co/forum/4-final-cut-pro-x-fcpx/27594-please-help-multicam-not-syncing-audio
FCPX in automatic modes looks at these first. The actual clip name won't really matter much. Next, verify the audio quality the camera's got is good enough for FCPX to use. If there's too much background noise, FCPX may not be able to distinguish what's what. Again, no clue what an AIXY file is.
Work with audio roles in compound clips in Final Cut Pro ...
https://support.apple.com/guide/final-cut-pro/work-with-audio-roles-in-compound-clips-ver2adbd7173/mac
In Final Cut Pro 10.3, compound clips, multicam clips, and synced clips generate role components based on the audio role assignments within the clip. A role component is like a traditional audio bus—if multiple audio components share the same subrole, their audio is mixed together into a single role component.
023: Make Multiclip Magic in Final Cut Pro 7 | Larry Jordan
https://larryjordan.com/store/023-make-multiclip-magic-in-final-cut-pro-7/
Define multiclip specifications in Final Cut Pro. Present pre-production issues relevant to editing multiclips. Discuss the important of timecode and sync. Provide an option if timecode breaks prevent creating multiclips. Discuss …
MediaStorm’s Multiclip Workflow
https://mediastorm.com/blog/2009/07/29/mediastorms-multiclip-workflow/
In the drop-down menu attached to the timeline, select Multiclip Playback to ensure proper playback. With the multiclip now in the sequence, follow these steps: 1. Turn on waveforms (command-option-W). 2. Toggle Clip Overlays (option-W). 3. Delete the channel with no audio. 4. Duplicate the other channel so that you now have two strong audio channels. 5.
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