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Audio Recording Standards | Cinema Studies Technology ...
https://blogs.uoregon.edu/uocinetech/recording-and-exporting-standards/audio-recording-standards/
The DVD and broadcast standard is 48kHz, while 44.1kHz is the standard for CD audio. You can of course have higher sampling rates (i.e. 96kHz), but you should record in 48kHz until you understand this concept more. The rule about …
Watch: Where Should Your Levels Be When Recording …
https://nofilmschool.com/2017/06/watch-where-should-your-levels-be-when-recording-audio
Where you should set your recording levels . According to Pike, your audio level should stay on the negative side of the number scale and never go above 0. Anything above this results in distortion, which will make your audio torture to listen to. He suggests keeping your level at …
Tape recorder bias frequencies – Richard L Hess—Audio Tape ...
https://richardhess.com/notes/2008/02/02/tape-recorder-bias-frequencies/
Otari MTR-90 (original): 246 kHz bias, 123 kHz erase [manual via Brian Roth] Otari MX-80 (c. 1986) 192 kHz for bias and erase [manual via Fred Kaeppel] Scully Scully 280 (original, Bridgeport, CT): 60 kHz erase, 180 kHz bias [datasheet – added 2021-03-03] Studer Studer A80VU (All versions): 80 kHz erase, 240 kHz bias (1:3) [manual]
How to Bias Analog Tape Recorders - Blackmer Design
https://blackmerdesign.com/resources/how-to-bias-analog-tape-recorders/
Many tapes, like the old Scotch 250, as you raise and lower the level of the audio signal, have their optimum bias points stacked straight up and down. Other tapes, such as Ampex, now Quantegy, 456, have different optimum bias currents for different levels.
MAGNETIC SOUND RECORDING TAPE - lcweb2.loc.gov
http://lcweb2.loc.gov/master/mbrs/recording_preservation/manuals/Maxell%20Magnetic%20Sound%20Recording%20Tape%20(Reel-to-Reel).pdf
Recording level; 10dB below nominal record· ing level Frequency 400Hz, 7500Hz, 12500Hz and 15000Hz Bias current Recommended bias current Signal to Noise Ratio Signal to noise ratio is the ratio, ex · pressed in dB, between the record ' playback output and the weighted noise level. The recording is made at recommended bias and 1000Hz. The weighted noise level, also called bias
Ultimate Guide to Sound Recording: Audio Gear and …
https://www.studiobinder.com/blog/sound-recording/
For example, 11kHz would be low-quality sound, and 48 kHz would be the standard for digital sound recording. Double systems also deliver greater bit depth. This term refers to how many different values of amplitude each sound sample possesses.
Mixing Sound for Film - Audio Post Production, An …
https://www.thebeachhousestudios.com/mixing-sound-for-film-audio-post-production-overview/
Many in the industry suggest mixing sound for film at 85dB, but in the smaller room environments this can be too loud, causing ear fatigue and other issues. I suggest mixing at 79dB, and when you think you are done, do one or two passes through at 85dB to double check.
How do you set bias levels on analog tape recorders ...
https://forums.stevehoffman.tv/threads/how-do-you-set-bias-levels-on-analog-tape-recorders.45554/
After setting bias, the high frequency record eq control is then adjusted to bring the meter back up to 0vu. As the bias current goes up, the high frequencies tend to self erase. And if the bias current is high enough mid and lower frequencies can erase as well. This is basically how an erase head works.
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