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dynaudio air 12 for mastering? - Gearspace.com
https://gearspace.com/board/mastering-forum/219792-dynaudio-air-12-mastering.html#:~:text=The%20Air%2012%20is%20a%20bass%20reflex%20speaker,is%20not%20on%20par%20with%20the%20K%2BH%20IMO.
Dynaudio Acoustics AIR 12 Monitors review - MusicRadar
https://www.musicradar.com/reviews/tech/dynaudio-acoustics-air-12-monitors-218000
Overall, the AIR 12 is a very capable and flexible monitor that combines Dynaudio's trademark sound with the flexibility of a DSP-driven design. However, other manufacturers (Equator springs to mind) are now pushing the DSP boundaries much further, making the competition for Dynaudio tougher. Future Music
AIR12 nearfield monitor - Powerful and precise monitoring
https://www.dynaudio.com/professional-audio-discontinued/air-plus-air-software/air12
powerful two-way nearfield monitor, 8" woofer and 1.1" soft dome tweeter air12 suits all sizes of control rooms and ob vans and its high precision amp/driver system (+/- 0.2 db accuracy) ensures complete consistency with the entire air family in a variety of stereo and 5.1 setups - remote controllable via the air remote or the included air soft …
Dynaudio Air Base-12: Good Match For Your Music Taste?
https://www.musicngear.com/dynaudio-air-base-12
Dynaudiopresents Subwoofer Air Base-12. If you are on the lookout for studio monitors or studio and recording equipment in general, then this may be a fitting choice. Make sure to check out the reviewsbut first of all press the red button below to see if it fits your music taste. Click to open full preview See price 88% match
MONitOR BENchtESt Dynaudio Acoustics Air 12
https://www.resolutionmag.com/wp-content/uploads/2016/03/Dynaudio-Acoustics-Air-12.pdf
review was conducted via the analogue input with all equalisation switched out. Figure 1 shows the on-axis frequency response and harmonic distortion performance for the Air 12. The response is commendably smooth and lies between ±3dB from 55Hz to 19kHz. Low-frequency roll-off is 4th order with -10dB at about 35Hz. The
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