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Creating Coherence in Audio Description

    https://www.erudit.org/en/journals/meta/2011-v56-n3-meta043/1008338ar.pdf
    creating coherence in audio description 647 creating coherence in AD. In section 4, a small-scale case study will be presented in which this model was applied to analyze different types of coherence in audio described film footage. e wider aim is …

(PDF) Creating Coherence in Audio Description

    https://www.researchgate.net/publication/262047813_Creating_Coherence_in_Audio_Description
    creating coherence in audio description 659. 01.Meta 56.3.cor 3.indd 659 12-02-22 10:14 PM. 660 Meta, LVI, 3, 2011. the inconsistencies in t he spatial des cription in exa mple 6, …

Creating Coherence in Audio Description – Meta – Érudit

    https://www.erudit.org/en/journals/meta/2011-v56-n3-meta043/1008338ar/
    This paper will investigate the question of how the coherence of a multimodal source text such as a film can be re-created in audio description. Coherence in film characteristically emerges …

Creating Coherence in Audio Description - CommonSpaces

    https://www.commonspaces.eu/oer/creating-coherence-in-audio-description/
    Creating Coherence in Audio Description view resource As an emerging form of intermodal translation, audio description (AD) raises many new questions for Translation Studies and related disciplines. This paper will investigate the question of how the coherence of a multimodal source text such as a film can be re-created in audio description.

(PDF) 2011 Creating Coherence in Audio Description ...

    https://www.academia.edu/6935567/2011_Creating_Coherence_in_Audio_Description
    coherence in audio description: intermodal and intramodal linking in the context of translation, baker (1992), blum-kulka (1986), hatim and mason (1990) and others have recognized that coherence is not dependent on the presence of formal cohesive devices but that a text author and also a translator can support a recipient’s creation of …

Creating Coherence in Audio Description - CORE

    https://core.ac.uk/display/59399253
    This paper will investigate the question of how the coherence of a multimodal source text such as a film can be re-created in audio description. Coherence in film characteristically emerges from links within and across different modes of expression (e.g., links between visual images, image-sound links and image-dialogue links).

[PDF] Recreating multimodal cohesion in audio …

    https://www.semanticscholar.org/paper/Recreating-multimodal-cohesion-in-audio-description-Reviers-Remael/f3d41e4501d18ae691d2c329205017d011dccc57
    Recreating multimodal cohesion in audio description : a case study of audio subtitling in Dutch multilingual films. This article aims to explore the complex issue of multimodal cohesion in audiovisual texts and their translations. It focuses on the analysis of Dutch multilingual audio-described films that combine audio description (AD) with audio subtitling (AST), a type of …

Creating coherence in Audio Description - CORE

    https://core.ac.uk/display/9550070
    This paper will investigate the question of how the coherence of a multimodal source text such as a film can be re-created in audio description. Coherence in film characteristically emerges from links within and across different modes of expression (e.g. links between visual images, image-sound links and image-dialogue links).

Recreating multimodal cohesion in audio description. A ...

    https://mapaccess.uab.cat/publications/journal-article/recreating-multimodal-cohesion-audio-description-case-study-audio
    It focuses on the analysis of Dutch multilingual audio-described films that combine audio description (AD) with audio subtitling (AST), a type of audiovisual translation (AVT) that raises many issues relevant to multimodal cohesion analysis in general.

Creating Coherence in Audio Description - Dialnet

    https://dialnet.unirioja.es/servlet/articulo?codigo=3966040
    Coherence in audio description: intermodal and intramodal linking 3.4 Partial and disturbed coherence 4. Coherence in the audio described version of Girl with a Pearl Earring 4.1. From sound-image coherence to coherence between sound and AD 4.2. From dialogue-image coherence to coherence between dialogue and AD 4.3.

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