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Claudio Thorn Prikker - Italia | Profilo professionale ...
https://it.linkedin.com/in/claudio-thorn-prikker-0612738a
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TECMA GmbH :: Germany :: OpenCorporates
https://opencorporates.com/companies/de/D2601V_HRB193197
Addition of officer Claudio Thorn Prikker, geschäftsführer. 2012-12-03 Removal of officer Horst Helmuth Hagenah, geschäftsführer. Before 2018-06-29 Incorporated. See all events. Corporate Grouping User Contributed. None known. Add one now? See all corporate groupings. Similarly named companies.
ヨハン・トルン・プリッカー - Wikipedia
https://ja.wikipedia.org/wiki/%E3%83%A8%E3%83%8F%E3%83%B3%E3%83%BB%E3%83%88%E3%83%AB%E3%83%B3%E3%83%BB%E3%83%97%E3%83%AA%E3%83%83%E3%82%AB%E3%83%BC
ヨハン・トルン・プリッカー（Johan Thorn Prikker、1868年 6月6日 - 1932年 3月5日）はオランダ生まれの画家、デザイナーである。 世界的なアーツ・アンド・クラフツ運動の中で、家具やステンドグラスやモザイクなどの建築の装飾、本の装丁などもした。 象徴主義や印象主義、アール・ヌーヴォー ...
Jan Thorn-Prikker | Dutch artist | Britannica
https://www.britannica.com/biography/Jan-Thorn-Prikker
Thorn-Prikker’s work is generally more abstract and tranquil than that of his associates. A notable painting is “The Bride” (1893). Particularly in his stained glass designs, he pioneered the expression of Christian themes in a modern idiom. From 1904 he taught and worked in Germany, designing mosaic murals, textiles, and stained glass.
Jan Thorn Prikker Paintings & Artwork for Sale | Jan Thorn ...
https://www.invaluable.com/artist/prikker-johan-thorn-q8oqgod1xv/sold-at-auction-prices/
Thorn-Prikker created two mosaics "Der Tag" (The Day) and "Die Nacht" (The Night), as well as a glass window for the corner pavilions in the Düsseldorf Ehrenhof in 1925. They were made in Thorn-Prikker's own studio under the direction of Otto Wiegmann (cf. Christiane Heiser/Mienke Simon Thomas/Barbara Til [ed.], Johan Thorn-Prikker.
Thorn prikker | Etsy
https://www.etsy.com/market/thorn_prikker
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The bride - Kröller-Müller Museum
https://krollermuller.nl/en/johan-thorn-prikker-the-bride-1
Thorn Prikker was 25 when he painted his bride. Before long he begins to question symbolism and reaches the conclusion ‘that everything and all the symbolism it involves is nonsense’. He believes that the artist has a social function and concentrates on applied arts, to thus make ‘art in the service of the people’. Show all works
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