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HOASM: Monteverdi and Seconda Prattica
http://www.hoasm.org/VB/SecondaPrattica.html
1. Monteverdi's brother, Giulio Cesare, outlines what Claudio himself meant by the term prima prattica, in a manifesto printed with the Scherzi Musicali published in 1607: "By First Practice he understands the one that turns on the perfection of the harmony, that is, the one that considers the harmony not commanded, but commanding, not the servant, but the mistress of the words, …
Timeline 015: Claudio Monteverdi, Prima Prattica And ...
https://www.vpr.org/vpr-classical/2015-08-03/timeline-015-claudio-monteverdi-prima-prattica-and-seconda-prattica
Timeline 015: Claudio Monteverdi, Prima Prattica And Seconda Prattica. Claudio Monteverdi's works mark the boundary between the Renaissance and the Baroque. There are individuals in music history that stand as pillars, whose life and work help us delineate the various eras of musical practice. One such individual was the Italian composer ...
Claudio Monteverdi e o despertar da "Seconda Prattica"
https://afetosemmelodia.blogspot.com/2009/11/claudio-monteverdi-e-o-despertar-da.html
Claudio Monteverdi e o despertar da "Seconda Prattica". Após ter finalizado - graças à Deus e com sucesso - a minha monografia sobre Caccini e Monteverdi, gostaria muito de deixar aqui algumas palavras remetentes à esse fantástico compositor que foi Claudio Monteverdi. Monteverdi nasceu em Cremona (Itália), em 1567.
'Seconda Pratica': A Background to Monteverdi's …
https://www.jstor.org/stable/730115
"SECONDA PRATICA": A BACKGROUND TO MONTEVERDI'S MADRIGALS BY DENIS ARNOLD ALTHOUGH studies of Monteverdi's life and music have appeared in the last thirty years in Italian, English, German and French, we still know comparatively little about the background from which his music sprang. A recent work on his operasI has admittedly explored
Divining the Oracle: Monteverdi’s Seconda Prattica …
https://www.jstor.org/stable/10.1525/jams.2007.60.1.201
Monteverdi brothers on the subject of the seconda prattica (a phrase first used, apparently, by Ottuso). I do not mean to belittle the thoroughness of Ossi’s summary and analysis of the dispute. But are we to believe that Monteverdi’s musical practice would have been significantly different if Artusi had not ob-
Seconda pratica: Alternative Kompositionspraxis | Alte ...
https://www.br-klassik.de/themen/klassik-entdecken/alte-musik/stichwort-seconda-pratica-100.html
1. Mit der "Seconda Pratica" hat Claudio Monteverdi eine alternative Kompositionspraxis entwickelt: Eine plastische, lebendige, dramatische Textausdeutung durch …
Seconda pratica - Wikipedia
https://en.wikipedia.org/wiki/Seconda_pratica
Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is sometimes referred to as Stile moderno.The term "Seconda pratica" first appeared in 1603 in Giovanni Artusi's book Seconda Parte dell'Artusi, overo Delle imperfettioni della moderna musica (The Second Part of The Artusi, or Imperfections of Modern Music), where it is attributed to a …
What is the difference between prima Prattica and Seconda ...
https://askinglot.com/what-is-the-difference-between-prima-prattica-and-seconda-prattica
What is the difference between prima Prattica and Seconda Prattica? In the early Baroque Claudio Monteverdi and his brother coined the term prima pratica to refer to the older style of Palestrina, and seconda pratica to refer to Monteverdi's music. At first, prima pratica referred only to the style of approaching and leaving dissonances.
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