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Claudio Monteverdi - Classical Music Composers

    https://www.pcmsconcerts.org/composer/claudio-monteverdi/

    Claudio Monteverdi — 1610 Vespers - Music of the Baroque

      https://www.baroque.org/seasons/2015-2016/monteverdi-vespers/

      Claudio Monteverdi : An Italian Composer Of The Baroque ...

        https://www.bartleby.com/essay/Claudio-Monteverdi-An-Italian-Composer-Of-The-PKWADBKTU5ZQ
        Claudio Monteverdi is an Italian composer of the Baroque period who was influential in the transition between Renaissance and Baroque music. Despite composing in all musical styles and genres of his time, Monteverdi defied past generation 's standards of composition. For example, he did not follow the rules governing the resolution of dissonances in that period.

      Claudio Monteverdi – Music Appreciation

        https://library.achievingthedream.org/epccmusicappreciation/chapter/claudio-monteverdi-e/
        Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized)–29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest. Monteverdi’s work, often regarded as revolutionary, marked the change from the Renaissance style …

      Claudio Monteverdi - Composer Biography, Facts and …

        https://www.famouscomposers.net/claudio-monteverdi

        Claudio Monteverdi | Italian composer and musician ...

          https://www.britannica.com/biography/Claudio-Monteverdi

          Monteverdi's Beatus vir (Beatus primo) — Boston Baroque

            https://baroque.boston/monteverdi-beatus-vir
            Claudio Monteverdi: Beatus vir (Beatus primo) Program Notes . Boston Baroque Performances . Setting of Psalm 112 For choir in six voices (S-S-A-T-T-B) and two violins ... Boston Baroque Performances. Beatus vir (Psalm 112), from Selve Morale e Spirituale. March 27 & 29, 2020

          Monteverdi's L'Orfeo — Boston Baroque

            https://baroque.boston/monteverdi-lorfeo
            Only three of Monteverdi's many operas have come down to us: his very first opera L'Orfeo, which was written for a ducal court, and two operas from near the end of his life, Il ritorno d'Ulisse and Il coronazione di Poppea, which were written for the more popular tastes of the new public theaters in Venice.There is thus a gap of over thirty years and quite a difference in style between L'Orfeo ...

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