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The Artusi/Monteverdi Conflict | Baroque Era Music History
https://loweba.wordpress.com/2013/09/03/the-artusimonteverdi-conflict/
The Artusi/Monteverdi Conflict. In 1600, Giovanni Maria Artusi published a dialogue intended to point out flaws in some of the current composers of his time and publicly discriminate against them. Among these composers being harassed was Claudio Monteverdi. In 1607, Giulio Cesare Monteverdi wrote an explanation of a letter his brother, Claudio ...
The Monteverdi / Artusi Controversy - Composer
http://www.toddtarantino.com/hum/artusi.html
The Monteverdi / Artusi Controversy In the early seventeenth century an enormous musical controversy raged in a series of letters between the theorist Artusi and the composer Monteverdi. Artusi, much older than Monteverdi, was a distinguished theorist and a canon at the church of San Salvador in Bologna.
ILIAS CHRISSOCHOIDIS, 'The 'Artusi-Monteverdi' Controversy ...
http://britishpostgraduatemusicology.org/bpm6-artusi.htm
The title refers to the exchange of public letters and declarations of a rather polemical character between Giovanni Maria Artusi (ca 1540-1613), leading Italian theorist, [3] and composers Claudio and Giulio Cesare Monteverdi. Central to the debate were the merits of a recent compositional practice that overlooked theoretical correctness for ...
Artusi/Monteverdi Controversy | mallorysanchez
https://mallorysanchez.wordpress.com/2011/09/06/artusimonteverdi-controversy/
Artusi/Monteverdi Controversy. Giovanni Maria Artusi’s attack on Monteverdi was written in the form of a pamphlet, or a letter. He disagrees strongly with Monteverdi’s style and the “untraditional way” he composes his music. Artusi is a very traditional composer, who followed the rules very strictly in the prima pratica.
(PDF) The "Artusi-Monteverdi" controversy: Background ...
https://www.academia.edu/249264/The_Artusi_Monteverdi_controversy_Background_content_and_modern_interpretations
27/03/2015 ILIAS CHRISSOCHOIDIS, 'The 'ArtusiMonteverdi' Controversy: Background, Content, and Modern Interpretations' The 'ArtusiMonteverdi' Controversy: Background, Content and Modern Interpretations ILIAS CHRISSOCHOIDIS KING'S COLLEGE, LONDON [1] FN The strife between old and new has anything but evaded music history.
Gendering Modern Music: Thoughts on the …
https://www.jstor.org/stable/831804
The gender rhetoric of the Artusi-Monteverdi controversy oper-ates in much this way, although Artusi's use of gender metaphors becomes increasingly overt in the three salvos that survive from his pen. In L'Artusi, overo delle imperfettioni della moderna musica (i 6oo), the rhetoric of gender is subtle and needs to be teased out from a
The Illusion of the Prima Pratica Seconda Pratica in the ...
https://cdr.lib.unc.edu/downloads/bz60cw889?locale=en
Giulio Cesare Monteverdi’s concept of prima and seconda pratica was a shrewd rhetorical device that separated Artusi from Claudio Monteverdi and thus aimed to nullify Artusi’s critiques. The musical specifics of prima and seconda pratica are far more vague. Neither Monteverdi was a music theorist. G. C. Monteverdi bungled his
An Early Musical Scandal! - 'Cruda Amarilli' and the ...
https://www.katiemorganflute.com/single-post/2014/10/04/An-Early-Musical-Scandal-Cruda-Amarilli-and-the-ArtusiMonteverdi-Controversy-Discussed
The madrigal certainly had a special place in the career of Claudio Monteverdi; it is the genre in which he made the crucial transition from writing for the polyphonic vocal ensemble to the instrumentally accompanied solo and duet, much to the aversion of Artusi and the followers of Zarlino.
10 Claudio Monteverdi Facts – Interesting Facts About ...
https://www.cmuse.org/claudio-monteverdi-facts/
He received a lot of criticism. Monteverdi was criticized constantly by his fellow composers. …
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