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Claudio and Isabella - William Holman Hunt — Google …
https://artsandculture.google.com/asset/claudio-and-isabella/pwFRjRo5YsAVsA
This is a scene of complex moral dilemma for Claudio and Isabella, characters from Shakespeare's Measure for Measure. Claudio has been sentenced to death by Angelo, deputy to the duke of Vienna. He...
William Holman Hunt, Claudio and Isabella – Smarthistory
https://smarthistory.org/hunt-claudio-and-isabella/
Claudio and Isabella was begun in 1850 after Hunt received a small advance from the painter Augustus Egg. Poor reviews of the Pre-Raphaelite paintings at the Royal Academy of 1850 had created financial difficulties for Hunt. He continued to work on the painting for the next several years, finally exhibiting the picture at the Royal Academy of 1853.
Hunt, Claudio and Isabella (article) | Khan Academy
https://www.khanacademy.org/humanities/becoming-modern/victorian-art-architecture/pre-raphaelites/a/hunt-claudio-and-isabella
Claudio and Isabella was begun in 1850 after Hunt received a small advance from the painter Augustus Egg. Poor reviews of the Pre-Raphaelite paintings at the Royal Academy of 1850 had created financial difficulties for Hunt. He continued to work on the painting for the next several years, finally exhibiting the picture at the Royal Academy of 1853.
Claudio and Isabella - Wikipedia
https://en.wikipedia.org/wiki/Claudio_and_Isabella
Claudio and Isabella is an 1850 Pre-Raphaelite oil painting by William Holman Hunt. It is based on a scene from William Shakespeare 's Measure for Measure. In this scene, Isabella is made to choose between sacrificing her brother's life or sacrificing her virginity to Angelo.
‘Claudio and Isabella’, William Holman Hunt, 1850 | Tate
https://www.tate.org.uk/art/artworks/hunt-claudio-and-isabella-n03447
Claudio has been sentenced to death by Angelo, deputy to the duke of Vienna. He can only be saved if his sister, Isabella, sacrifices her virginity to Angelo. Claudio’s awkward pose draws attention to his prison shackles. The apple blossom blown by the wind at his feet symbolises his readiness to buy his own reprieve with Isabella’s chastity.
A-Level: William Holman Hunt, Claudio and Isabella ...
https://smarthistory.org/hunt-claudio-and-isabella-3/
Claudio and Isabella was begun in 1850 after Hunt received a small advance from the painter Augustus Egg. Poor reviews of the Pre-Raphaelite paintings at the Royal Academy of 1850 had created financial difficulties for Hunt. He continued to work on the painting for the next several years, finally exhibiting the picture at the Royal Academy of 1853.
Claudio and Isabella, 1850 - William Holman Hunt - WikiArt.org
https://www.wikiart.org/en/william-holman-hunt/claudio-and-isabella-1850
Claudio and Isabella William Holman Hunt Date: 1850 Style: Romanticism Genre: literary painting Media: oil, mahogany panel Location: Tate Britain, London, UK Dimensions: 75.8 x 42.6 cm Order Oil Painting reproduction References Tate Britain online: www.tate.org.uk Tags: William-Shakespeare William Holman Hunt Famous works
Hunt, Claudio and Isabella (video) | Khan Academy
https://www.khanacademy.org/humanities/becoming-modern/victorian-art-architecture/pre-raphaelites/v/william-holman-hunt-claudio-and-isabella-1850
William Holman Hunt, Claudio and Isabella, 1850, oil on mahogany, 758 x 426 x 10 mm (Tate Britain) From William Shakespeare's Measure for Measure, Act III, scene 1 (a room in a prison): ISABELLA …
In William Shakespeare’s Measure for Measure ... - Phdessay
https://phdessay.com/william-shakespeares-measure-measure-understanding-isabella-claudios-relationship/
Claudio, a desperate man, clinging on to the last straws of hope attempts to change Isabella's outlook on the situation, he makes it out to be that if she were to commit the sin with Angelo she would be saving her brothers life, and that end in itself would be sufficient enough to almost supersede the initial means.
Measure for Measure Act III, Scene i Summary ... - …
https://www.sparknotes.com/shakespeare/measure/section6/
Claudio describes a terrible view of death, and Isabella only says, "Alas, alas" (III.i.133). Claudio changes his mind and asks his sister to give up her virginity for him, saying that a sin to save her brother's life would become a virtue. Isabella immediately grows angry, calling him a coward.
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