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5 Broadcast Audio Spec Sheet Terms Every Editor Must ...

    https://blog.frame.io/2017/08/09/audio-spec-sheet/#:~:text=5%20Broadcast%20Audio%20Specs%20Every%20Editor%20Must%20Understand.,and%20Lo%2FRo.%205%20Spec%20%235%3A%20Stems.%20More%20items
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5 Broadcast Audio Spec Sheet Terms Every Editor Must ...

    https://blog.frame.io/2017/08/09/audio-spec-sheet/
    5 Broadcast Audio Specs Every Editor Must Understand. Spec #1: Loudness. The U.S. Congress passed the CALM Act (H.R. 1084/S. 2847) in 2010. …

Broadcast Guidelines - Twitch

    https://help.twitch.tv/s/article/broadcast-guidelines?language=en_US
    Recommended Audio Bitrate: 128kbps Maximum Audio Bitrate: 320 kbps (AAC) Sampling frequency: Any (AAC)

Audio Specs for Television Broadcast - Avid Pro Audio ...

    https://duc.avid.com/showthread.php?t=131327
    Re: Audio Specs for Television Broadcast Thanks for jumping in guys. I spoke to someone at Turner who mentioned the-4/-6 thing as the limit they were allowed with regards to surround (I don't recall all the details).

Broadcast Specifications for PAL

    https://www.datapro.net/techinfo/pal.html
    Broadcast Specifications for PAL. PAL is an acronym for 'Phase Alteration Line'. The various subsets of PAL are types B, G, H, and I. These are defined below. PAL type 'B' specifications: Line/Field = 625/50 FH = 15.625 KHz FV = 50 Hz FSC = 4.43361875 MHz Blanking Setup = 0 IRE Video Bandwidth = 5.0 MHz Audio Carrier = 5.5 MHz Channel Bandwidth = 7.0 MHz.

Post Production Audio: Broadcast Limiters and Loudness ...

    https://soundgirls.org/post-production-audio-broadcast-limiters-and-loudness-metering/
    The PBS specs were written in 2016 (before 1770-4 came out). Broadcasters update these every couple of years, especially as technology changes. In this PBS spec, the optimal average loudness is -24dB LKFS, but there is an acceptable loudness range (LRA) above and below +/-2 LU (“Loudness Units”).

Broadcast Requirements for Commercials and Informercials ...

    https://www.videouniversity.com/articles/broadcast-requirements-for-commercials-and-informercials/
    Broadcast RequirementsMaster Tape Specifications. Purpose: To ensure that all technical and content broadcast requirements are met for all :30, :60, :120 and 30 minute direct response programming. Responsible Parties: Production House, Editor.

Question about conforming to broadcast specs. Audio Levels ...

    https://www.reddit.com/r/AudioPost/comments/ows30t/question_about_conforming_to_broadcast_specs/
    It's a bit messy, but if I had to guess the first set of specs are outdated analogue specs that tell you how to calibrate analogue meters (Although by the sounds of things your reference tone/2beep should be at -20dbfs). Meanwhile, the second set of specs are your actual broadcast specs to aim for in the modern era.

broadcast standards - Radio Spot Specs - Sound Design ...

    https://sound.stackexchange.com/questions/10562/radio-spot-specs
    I'm designing and mixing some radio commercials tomorrow, and I'm not sure what the specs are. I heard from one source that it's 0db, and another that it's -12db. I'm sure it's different between countries and radio stations. But I heard it's pretty strict, and …

LE Audio Specifications | Bluetooth® Technology Website

    https://www.bluetooth.com/learn-about-bluetooth/recent-enhancements/le-audio/le-audio-specifications/
    Stream Management. BAP: Basic Audio Profile. PACS: Published Audio Capabilities Service. ASCS: Audio Stream Control Service. BASS: Broadcast Audio Scan Service. A set of new specifications that define basic interoperability for audio devices, including capability discovery and configuration of unicast and broadcast audio streams. Media Control

Media Delivery Technical Specifications for VMN US …

    https://viapub.viacom.com/sites/trafficguidelines/documents/Viacom_Delivery_Specs.pdf
    program audio track of each segment or short form item must be -24 DBFS (+/-2db), as measured on a .ITU B.S. 1770-3 meter (or future revision). • Peak audio levels must not exceed -2dbfs True Peak as measured using a meter compliant with ITU BS-1770-3 (or future revision) • Audio must be free from distortion, dropouts, aliasing,

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