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6moons audio reviews: Brightstar Audio IsoRock 3 Reference
https://www.6moons.com/audioreviews/bsa/isorock.html
Review component retail: $599 IsoRock Me, Amadeus Barry Kohan from Bright Star Audio has been manufacturing vibration isolation products for many, many moons and has received numerous accolades from some of the most prestigious names …
Bright Star Audio IsoRock 3 Reference Vibration Control ...
http://www.enjoythemusic.com/magazine/equipment/0504/brightstarisorock3.htm
Review By Karl Lozier I mpressive is the word that easily comes to mind when trying to describe this new Reference Series product by Bright Star Audio. It is not extremely large, ungainly or "Rube Goldberg" appearing. It has more than a dozen layers of carefully selected and tested materials each selected for its unique abilities.
Bright Star - IsoNode Feet - Set of 4 - Small - Audio ...
https://www.amazon.com/Bright-Star-IsoNode-Feet-Small/dp/B003P4JS2Y
Karl Lozier tried IsoNode feet and Bright Star Audio's IsoRock 4 in combination. "The audible end result went beyond a slight but definite improvement to a significant and noticeable improvement that improved more as the volume or gain control was advanced," he writes in the May 2004 issue of Enjoy the Music magazine.
Any experience with Bright Star Isolation Products ...
https://www.head-fi.org/threads/any-experience-with-bright-star-isolation-products.67376/
The only Bright Star Audio products that I've used are their IsoNodes (AKA: little rubber feet). Obviously, they don't provide the kind of damping that the IsoRock provides. However, the MDF board and bicycle innertube idea that Large4mat mentioned is fairly popular amongst audiophiles. It's also super cheap.
Bright Star IsoNode Feet Set of 4-Audio Advisor
https://www.audioadvisor.com/prodinfo.asp?number=BSISO
Karl Lozier tried IsoNode feet and Bright Star Audio's IsoRock 4 in combination. "The audible end result went beyond a slight but definite improvement to a significant and noticeable improvement that improved more as the volume or gain control was advanced," he writes in the May 2004 issue of Enjoy the Music magazine.
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