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Bit depth - Encoding audio and video - GCSE Computer ...

    https://www.bbc.co.uk/bitesize/guides/z7vc7ty/revision/3#:~:text=Bit%20depth%20is%20the%20number%20of%20bits%20available,a%20CD%20and%2024%20bits%20on%20a%20DVD.
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Bit-depth explained: Everything you need to know - …

    https://soundguys.com/audio-bit-depth-explained-23706/
    The equation 20log (2n), where n is the bit-depth, gives us the SNR. An 8-bit signal has an SNR of 48dB, 12 bits is 72dB, while 16-bit hits 96dB, and 24 bits a whopping 144dB.

What is bit depth in audio? 16 bit, 24 bit and 32 bit ...

    https://www.mixinglessons.com/bit-depth/
    The most common bit depths for recording and bouncing audio are 16 bit and 24 bit. 16 bit provides each sample with 65,536 possible amplitude values. 24 bit provides each sample with 16,777,216 possible amplitude values. As such, 16 bit provides you with 96dB of dynamic range between the noise floor and 0dBFS. 24 bit provides you with 144dB of dynamic …

Audio Bit Depth for recording: What is it? How to choose ...

    https://magroove.com/blog/en-us/audio-bit-depth/
    And Bit Depth is precisely all about the quality of what we capture. Audio bit depth example If with cameras we measure resolution in MegaPixels, in audio we do it in Bits. The most common values of audio bit depth we find today are 16 bits and 24 bits. Bit depths in physical media Here are some Sample Rates and Bit Depths of known media formats:

Audio Quality Explained: Bit Depth vs. Sample Rate

    https://www.makeuseof.com/audio-bit-depth-vs-sample-rate/
    Just like with sample rate, there are different standard bit depths that you come across in the industry. 8-bit audio seems to be the minimum bit depth that'll you'll see. With it, you'll hear a fair amount of noise, but the audio is still serviceable. The next step up is typically 16-bit audio, which is what's present with CD-quality audio.

Digital Audio Basics: Audio Sample Rate and Bit Depth

    https://www.izotope.com/en/learn/digital-audio-basics-sample-rate-and-bit-depth.html
    The audio bit depth determines the number of possible amplitude values we can record for each sample. The most common audio bit depths are 16-bit, 24-bit, and 32-bit. Each is a binary term, representing a number of possible values. Systems of higher audio bit depths are able to express more possible values: 16-bit: 65,536 values; 24-bit: 16,777,216 values

What Is Audio Bitrate? ( Quality, Differences, Sample Rate )

    https://hiphopmakers.com/what-is-audio-bitrate
    A 16-bit depth can store up to 65,536 levels of information, while a 24-bit depth can store up to 16,777,216 levels of information. CD-quality audio is recorded at 16-bit depth because we only want to deal with the sound that’s loud enough for the human ear to hear but not loud enough to damage the eardrums or audio equipment.

Audio quality: Understanding bits, sample rate and formats

    https://blog.hotmart.com/en/audio-quality/
    It’s as if it were an amplitude bit depth of the sound. Thus, in theory, an audio with 16 bits can represent 65,536 levels of volume between the lowest and highest value of the scale. With 24 bits, there are 16.7 million levels. Illustrative representation of amplitude bit depth.

Understanding audio bitrate and audio quality | Adobe

    https://www.adobe.com/creativecloud/video/discover/audio-bitrate.html
    Audio CD bitrate is always 1,411 kilobits per second (Kbps). The MP3 format can range from around 96 to 320Kbps, and streaming services like Spotify range from around 96 to 160Kbps. High bitrates appeal to audiophiles, but they are not always better. Keep in mind how your digital audio is going to have to contend with bottlenecks.

Understanding Sample Rate, Bit Depth, and Bit Rate ...

    https://www.headphonesty.com/2019/07/sample-rate-bit-depth-bit-rate/
    A 16-bit digital audio has a maximum dynamic range of 96dB while a 24-bit depth will give us a maximum of 144dB. CD quality audio is recorded at 16-bit depth because, in general, we only want to deal with sound that’s loud enough for us to hear but, at the same time, not loud enough to damage equipment or eardrums.

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