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Balanced vs. Unbalanced Analog Interfaces - Benchmark ...

    https://benchmarkmedia.com/blogs/application_notes/balanced-vs-unbalanced-analog-interfaces#:~:text=This%20voltage%20difference%20gives%20these%20balanced%20interfaces%20a,level%20of%20%2B24%20dBu%20which%20is%2012.28%20Vrms.
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Audio Signal Levels Explained: Mic, Instrument, Line, and ...

    https://www.blackghostaudio.com/blog/audio-signal-levels-explained-mic-instrument-line-and-speaker
    The inputs and outputs on consumer electronics are usually designed to work optimally with -10 dBV line signals, while the inputs and outputs on pro audio gear are often designed to work optimally with +4 dBu line level signals, which are a bit stronger than …

Audio: Balanced and Unbalanced | Clements Family

    http://mclements.net/blogWP/index.php/2017/11/10/audio-balanced-and-unbalanced/
    Balanced audio was designed for microphones, which have low level signals carried on long wires. In this application, noise isolation is important and you need all the S/N you can get. Consumer audio analog line levels are in the range of 1-2 Volts, about 1,000 times or 60 dB stronger than microphones. And cable runs tend to be shorter.

Understanding Signal Levels in Audio Gear

    https://www.sweetwater.com/insync/understanding-signal-levels-audio-gear/
    When your analog console is putting out a 1kHz tone at 0VU, then the digital meter should be reading between -14dBFS and -18dBFS (there are differing standards that range from -24dBFS to -12dBFS.) If you turn up the level to increase the level on the digital meter, you gain resolution but lose headroom.

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