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Audioslave Reveal Their Soul Side - Rolling Stone

    https://www.rollingstone.com/music/music-news/audioslave-reveal-their-soul-side-105537/
    Chris Cornell dips into R&B, family life on “Revelations”. For Audioslave’s third album, due in June, singer Chris Cornell wanted to explore a vocal style he …

Cornell, Rage Reform as Audioslave - Rolling Stone

    https://www.rollingstone.com/music/music-news/cornell-rage-reform-as-audioslave-249222/
    Cornell, Rage Reform as Audioslave ... ‘Lucy and Desi’ Review: Amy Poehler’s Affecting Documentary Understands Ball and Arnaz on an Emotional Level ... Rolling Stone is a part of Penske ...

Audioslave by Audioslave Reviews and Tracks - Metacritic

    https://www.metacritic.com/music/audioslave/audioslave
    Great cd full of great songs like the razor sharp 'Like a stone', 'What you are', 'I am a highway', Great cd full of great songs like the razor sharp 'Like a stone', 'What you are', 'I am a highway', 'Hypnotize' (Which does just that), and the epic 'Getaway car' with Chris Cornell's forlorn voice bleeding throughout. Downside, a couple of ok tracks and songs tend to go on for too …

Audioslave - Wikipedia

    https://en.wikipedia.org/wiki/Audioslave
    AllMusic, which gave Audioslave a lukewarm review, praised the album as "lean, hard, strong, and memorable." The lyrics, however, were still a common complaint. MusicOMH.com wrote that Cornell's lyrics "continue to border on the ridiculous"; the album's softer, slower approach was frequently criticized as well.

Audioslave: Audioslave Album Review | Pitchfork

    https://pitchfork.com/reviews/albums/356-audioslave/
    Audioslave. It's like it was tailor-made for a Sam Goody voiceover.) It's kind of incredible how slick and lifeless the Rage band sounds without de la Rocha spitting all over everything. The guys...

Audioslave (album) - Wikipedia

    https://en.wikipedia.org/wiki/Audioslave_(album)
    Audioslave received mixed reviews. Some critics lambasted the group's effort as uninspired, and predictable. Pitchfork Media's reviewers Chris Dahlen and Ryan Schreiber praised Cornell's voice, but criticized virtually every other part of the album, calling it "the worst kind of studio rock album, rigorously controlled -- even undercut -- by studio gimmickry".

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