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Audio Bro La Scoring Strings V2.0 - revfasr

    https://revfasr282.weebly.com/audio-bro-la-scoring-strings-v20.html
    Audio Bro La Scoring Strings V2.0 - revfasr revfasr Audiobro established itself as a major player in the string library market with the quality of LASS version 1. But with version 2 and now 2.5 it's added layers of control which allow the user to put …

Audiobro LA Scoring Strings v2.0 16bit Version KONTAKT

    https://sampleshome.com/71303-audiobro-la-scoring-strings-v20-16bit-version-kontakt.html
    Audiobro LA Scoring Strings v2.0 16bit Version KONTAKT KONTAKT | 16 Bit | 24 MARCH 2015 | 9.21 GB Starting from version 2.0, Audiobro stopped supplying 16bit samples and replaced them with 24bit only. In this instace, 24bit is a waste of space, since all samples are normalized and their noise level is far above -90dBFS.

LASS Full 2.5 - Audiobro

    https://www.audiobro.com/lass-2-0/
    LASS 2.5 Overview. LA Scoring Strings 2.5 (LASS) brings you a whole new set of tools and revised sonic profiles providing a new level of expressiveness, realism, real-time playability and program-ability to sampled strings. We updated and improved all our Sonic Profile Colors to yield a higher fidelity than before.

Insights: L.A. Scoring Strings 2 - Alexander Publishing

    http://www.alexanderpublishing.com/samples/soniccontrol/Audiobro-LA-Scoring-Strings-v2_08-03-2012.pdf
    LASS 2.0 then and now is that it’s a library for all seasons and that it’s an excellent career investment. About a month ago I did a condensed score of Jerry Goldsmith’s Basic Instinct main theme. Here’s a broad summary of the string instrumentation: Violins 1 are divisi. Violins 2 are open non-div. Violas are divisi with mutes.

LA Scoring Strings 1.5 - Audiobro

    https://www.audiobro.com/la-scoring-strings/
    LA Scoring Strings (LASS) brings a whole new level of expressiveness, realism and real-time playability to sampled strings. At the heart of its revolutionary sound are Real Legato performance sample patches and a unique “layered ensemble” approach. These ensembles were all recorded individually in a large film scoring studio.

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