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Audio-Vision: Sound on Screen: Michel Chion, Claudia ...
https://www.amazon.com/Audio-Vision-Sound-Screen-Michel-Chion/dp/0231078994
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception.
Audio-Vision: Sound on Screen by Michel Chion
https://www.goodreads.com/book/show/160246.Audio_Vision
Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear. In "Audio-Vision: Sound on Screen," French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in …
Audio-Vision: Sound on Screen
https://www.degruyter.com/document/doi/10.7312/chio18588/html
Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. Author information
Audio-Vision: Sound on Screen | Columbia University Press
https://cup.columbia.edu/book/audio-vision-sound-on-screen/9780231185899
Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.
Chion Michel Audio Vision - Monoskop
https://monoskop.org/images/6/6d/Chion_Michel_Audio-Vision.pdf
In Audio-Vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influ ences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy
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