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Building a Valve Amplifier Part 1: Design, Components …
https://www.rs-online.com/designspark/building-a-valve-amplifier-part-1-design-components-and-layout
After doing some research it seemed the perfect beginner's project was the RH84single-ended amplifier. It was created by Aleksandar Kitic, who has said that “The amp was really designed for the first time builder, to provide results even with salvaged parts or the cheapest possible. At the time I designed it I was practically p…
Valve (Vacuum Tube) Amplifier Design Considerations
https://sound-au.com/valves/design.html
It is traditional that amplifiers are designed from the speaker backwards. Especially true during the valve era, it's just as true today. Once the power requirements have been determined from desired SPL and speaker sensitivity, the selection of the most appropriate output stage is indicated by the required output power.
tube amps since 1982 - Audiovalve
https://www.audiovalve.info/
It is a dual-mono design, and delivers up to 12 watts per channel of OTL Class A tube power, has multiple inputs (balanced, singe-ended, and even a MM phono preamp built in) has front-panel gain control and a balance control. It also has pre-outs in case you'd like to use it as a preamp for external amplification.
Valve Amps: Valve amp basics - Lenard Audio
https://education.lenardaudio.com/en/14_valve_amps_2.html
Valves for audio amplifiers are categorised into three primary groups. A Small (noval base) pre-amp twin triode 12AX7 and 12AU7. 12AT7 12AY7 similar but less used. B Small (noval base) power tubes for 10 to 15 Watt amps. C Large (octal base) power tubes for 30 to 100 Watt amps. EL34 6CA7 6550 KT88 KT90
The 8 best budget valve amplifiers and how to avoid ...
https://thevinylfactory.com/features/the-8-best-budget-valve-amplifiers-and-how-to-avoid-getting-ripped-off/
CAYIN AUDIO A-55T. Price: £1,460. cayin.com. This amp bristles with valves and provides a classic design with the valves positioned at the front with heavy transformers behind. Like many amps of its class, the bass is a little lacking in the extremes, treble is rather sweet while the detail is excellent.
Amplifier Design using ECC81 ECC82 and ECC83
https://www.petervis.com/valve-circuits/amplifier-design/amp-design.html
Amplifier Design using ECC81 ECC82 and ECC83 Designing a Class A push-pull audio amplifier using the ECC81, ECC82, and ECC83 valves is very simple if you read this wonderful article. This multi-page document contains a typical valve circuit, recommended by Mullard Engineers, for making a Class A Push-Pull amplifier using two ECL80 triode pentodes.
AUDIO TRANSFORMER DESIGN FOR TUBE AMPLIFIER WITH …
http://www.standardsuniversity.org/wp-content/uploads/audio_transformer_design_tube_amplifier_pichkalyov_final_paper.pdf
determination. Building an amplifier is an important step in the experimental part of the project. OUTPUT AUDIO TRANSFORMER DESIGN The output transformer in a single-ended tube amplifier is the device which matches the high-output impedance of the tube to the low input impedance of the speaker load (4, 8 or 16 Ohm). To design an
DIY Vacuum Tube (Valve) Amplifier Projects - Hi-Fi Audio
https://diyaudioprojects.com/Tubes/tubes.htm
Bruce Heran of OddWatt Audio outlines the design and construction of monoblock Push-Pull EL84 (6BQ5) valve amplifiers. The Mini Block tube amps use a 5751 twin triode to drive the EL84 push-pull output stage which is biased into class-A operation, ultra-linear mode.
ECLIPSE Line - Audiovalve
https://www.audiovalve.info/shop/pre-amplifiers/eclipse/
The AUDIOVALVE´s Eklipse features a striking faceplate stroked with easy-to-read gold lettering. The back panel and bottom plate of the chassis is made of 4 mm rugged steel polished in a smooth black finish.The Eklipse is generous in input and output, 20 in all. All gold plated and soldered directly to the I/O board.
Spice and the art of preamplifier design, Part 1
http://www.normankoren.com/Audio/Spice_preamp.html
The essential design goals are low distortion (sspecially high order), high headroom (the ability to produce a much larger output voltage than required to saturate power amplifiers), flat frequency response well beyond the audio range, non-inverting output polarity, and no frequency response irregularities at any stage of the circuit.
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