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How do you pull down the audio sample clock when capturing ...
https://community.avid.com/forums/t/60423.aspx
I always get this message "You may not capture audio and video together unless the audio sample clock is pulled down". I cannot find the audio sample clock, therefore I cannot pull it down. How to I get to have my video and audio capture at the same time. I had it working in Avid MC 2.8.3 and now I am running Avid MC 3.0.
Problem detected with audio clock [Archive] - Avid Pro ...
https://duc.avid.com/archive/index.php/t-258330.html?pda=1
Avid Pro Audio Community > Legacy Products > 003, Mbox 2, Digi 002, original Mbox, Digi 001 (Win) > Problem detected with audio ... "Problem detected with audio clock. Check that clock source and sample rate are correct." When I go to Setup, Hardware, it shows 'clock source - internal' - there are no other options. 44.1 sample rate (seems OK to ...
Audio sample clock pull down - Avid Media Composer ...
https://creativecow.net/forums/thread/audio-sample-clock-pull-down/
But I can’t capture video and audio together – Avid keeps coming up with “You may not capture audio and video together unless the audio sample clock is pulled down” I click the pulldown button and I get a “pulldown not supported message” I’m using a PowerBook G4 OSX 10.4.8 Avid 5.6 I’m capturing through fire wire
Changing Sample Rates with External Clock Device - Avid ...
https://duc.avid.com/showthread.php?t=394657
4. Selected the new sample rate on my external clock 5. Selected "External Clock" and set the new sample rate on UAD Console 6. Open PT and create a new session WITH the correct I/O template It works! The key I was missing before was that I did not have a …
master clock set to wrong sample rate [Archive] - Avid Pro ...
https://duc.avid.com/archive/index.php/t-175065.html
Once the master clock is wrong you'll have to do sample conversion. The sample rate set in PT is merely a number, i.e. if the master clock is set to 48 kHz, the files will have been recorded "too fast". Changing the SR via Soundhack or Workspace merely changes the description of the audio but the original "tempo" or rate stays the same.
Pro Tools | Sync X – Precision master clock for post – Avid
https://www.avid.com/products/pro-tools-syncx
The ultimate sync for post Leveraging the patented DigiSerial Port technology connection to Pro Tools | HDX or HD Native, Sync X enables precise sync between audio sample position and video frame edge.In multi-operator mixing environments, where dialogue, music, and sound effects are handled by separate systems, that means all of your audio and video devices will sync and play …
Audio timecode and video sync - Avid Technology
https://www.avid.com/products/pro-tools-syncx/specifications
Avid-qualified macOS or Windows computer (get the details) Pro Tools | HDX or HD Native system SAMPLE RATES. 44.1, 48, 88.2, 96, 176.4, and 192 kHz. VIDEO REFERENCE Video Reference I/O. 1 x BNC input 2 x BNC outputs. Video Reference Generator. 4 x BNC outputs. Video Reference Format Support
Avid Pro Tools - Dale Pro Audio
https://daleproaudio.com/products/avid-pro-tools-sync-x-precision-synchronizer-and-master-clock
Keep your Pro Tools system and connected devices in sync—no matter how complex your setup. Pro Tools | Sync X serves as the backbone of modern audio post production, providing reliable low-jitter clocking and near sample-accurate lock with frame edge alignment. It’s a critical component for dubbing, ADR, Foley, and oth
PRO TOOLS | SYNC X - Avid Technology
https://cdn-www.avid.com/-/media/avid/files/products-pdf/pro-tools-sync-x/pro-tools-sync-x-datasheet-english.pdf
Pro Tools systems, audio interfaces, and video playback devices, with near sample-accurate lock and precision frame edge alignment › Connect with a wide range of devices with support for all industry-standard clock sources, pull up/down rates, timecode rates, and HD/SD formats › Cut costs and complexity with the onboard
Using Apollo with a Pro Tools HD System – Universal Audio ...
https://help.uaudio.com/hc/en-us/articles/209894506-Using-Apollo-with-a-Pro-Tools-HD-System
First, set your CUE SOURCE for "Cue 1" to Cue 1, and to "Cue 2" for Cue 2. Next set the OUTPUT field to ADAT 1-2 for Cue 1 and to ADAT 3-4 for Cue 2. Setting up Cue Outputs for 4x sample rates Next, select the SENDS view from the View menu in the top left of the Console window, then click the CUE 1 button below (under SHOW).
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