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Audio Research CD-1 CD player | Stereophile.com

    https://www.stereophile.com/cdplayers/1295ar/index.html
    The CD-1 is built like a tank: it weighs 17 lbs and feels as durable as an anvil. Audio Research's heavy faceplate and massive handles serve to reinforce that effect. Though built upon a Philips chassis, the CD-1's source is essentially …

Audio Research CD6 SE Compact Disc Player/DAC | REVIEW ...

    https://parttimeaudiophile.com/2020/07/03/audio-research-cd6-se-compact-disc-player-dac-review/
    Audio Research describes this DAC configuration as: “Dual master oscillators for highest performance; one for 44.1/88.2/176.4 sample rates, the other for 48/96/192kHz sample rates. Sample rate conversion is selectable for all inputs, allowing playback in native resolution or via upsampling, including compact disc and USB.

First Listen: Audio Research CD5 Compact Disc Player - …

    https://www.theabsolutesound.com/articles/first-listen-audio-research-cd5-compact-disc-player
    Posted on the Audio Research website is this general description; “The CD5 relies on the substantial Philips PRO2M laser mechanism mounted to a machined aluminum I-beam with Audio Research’s proprietary mounting system and damping for ultralow mechanical jitter.

Audio Research CD3 CD Player Reviewed - …

    https://hometheaterreview.com/audio-research-cd3-cd-player-reviewed/
    Audio Research CD3 CD Player Reviewed As a CD only machine, some audiophiles seeking a more purist approach to CD playing will prize the CD3. With Audio Research's superb analog output section the...

Audio Research CD2 CD player | Stereophile.com

    https://www.stereophile.com/cdplayers/591/index.html
    The CD2 has the wide, black metal handles and oversized faceplate—the review sample's was finished in titanium gray rather than the traditional brushed aluminum; black is also available—that have come to be Audio Research's trademark, but the front panel is …

Audio Research – High-end audio equipment

    https://audioresearch.com/
    Audio Research continues its dedication to unparalleled musical expression and crafting components of the highest quality and lasting value for its customers. Our long-term dedication to service is peerless in this industry (Audio Research, with few exceptions, can repair anything ever produced during its entire history).

Audio Research | Shop & Research

    https://www.audiogon.com/brands/audio-research
    Audio Research Corporation was founded in Minnesota by William Zane Johnson in 1970. Today it is part of McIntosh Group. In the early '70s, as the rest of the home audio industry moved toward transistors, Bill Johnson stuck with vacuum tubes. In doing so, he was integral to the creation of the high-end audio marketplace we know today.

ARC Ref CD-8 compared to CD-6 and/or Ref CD-9

    https://forum.audiogon.com/discussions/arc-ref-cd-8-compared-to-cd-6-and-or-ref-cd-9
    The Ref CD-8 used Burr Brown PCM 1792 chips configured in stereo mode. By contrast, the CD-6 and Ref CD-9 use the BB PCM 1792A, but configured in quad mono mode. Also, the CD-6 and Ref CD-9 upsample and have fast/slow filter options. The Ref CD-8 does not offer these options. Obviously, techno-babble aside, what counts most is how the CDPs sound.

Audio Research Reference components launched at Perfect Hi ...

    https://www.av2day.com/2016/03/reference-audio-research-components-launched-at-perfect-hi-fi/
    Later, the group of audiophiles who attended the launch heard the Ref 6 preamp in a system comprising an Audio Research CD player, the Audio Research power amp and a pair of orange-coloured Wilson Alexia speakers with Nordost cabling. Suffice it to say that it was a truly high-end listening session.

jfle[j%Zfd Audio Research Reference 6 - Sarte Audio

    https://www.sarte-audio.com/sites/default/files/reviews/hfn_audio_research_ref_6_hires.pdf
    74321 603422, CD, and Freedom For The Stallion RCA APL 1-0323, LP] Ð I discovered what may be the most staggering gain of all. LetÕs back up a moÕ. The McEvoy experience wasnÕt just about transparency. There was a fully-formed soundstage, the three-dimensionality of a standard I have always expected of Audio Research.

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