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Heed Audio Questar MM review | What Hi-Fi?

    https://www.whathifi.com/us/heed-audio/questar-mm/review
    Heed Audio Questar MM review Our Verdict The Questar makes listening enthralling with its punchy and capable delivery For Well-balanced sound, coherent, rhythmic, good with dynamics, well detailed Against Nothing of note We first looked at Heed 's Questar in 2006 and liked it so much we gave it five stars. But has time been kind?

Modular: Heed Audio Questar MC with Q-PSU

    https://www.connecteddistribution.com/index.php/online-store/heed-audio/modular/1037/heed-audio-questar-mc-with-q-psu-detail
    Heed Audio Questar MC: Moving Coil Phonostage - Specifications: Input: 1 x stereo RCA. Output: 1 x stereo RCA. Frequency response: 20 Hz – 20kHz. Input sensitivity: 220 µV (MC) Input impedance: 100 Ω (MC) Gain: 64 dB (MC) Power supply options: Q-PSU (Included) / Obelisk PX (Upgrades) Dimensions (W x H x D): 9.5 x 7.5 x 22 cm.

Heed Audio Questar MM Reviews - Compare Prices and Deals ...

    https://www.reevoo.com/p/heed-audio-questar-mm
    The QUESTAR is destined to be the MVPs (Most Valuable Phonostage) of the Heed analogue range. At first glance, they physically resemble the Pulsar, our previous entry-level MM phono stage, but looks can be deceiving. Under the hood of their hefty, shielded steel chassis beats the heart of our award-winning audiophile Quasar MM/MC phonostage, conveniently divided into …

Heed Audio Questar (£250) | Hi-Fi News

    https://www.hifinews.com/content/heed-audio-questar-%C2%A3250
    Heed Audio Questar (£250) John Bamford & Paul Miller | Apr 6, 2009 Phono stage available in either MM or MC variants Hailing from Budapest, Hungary, Heed Audio first made a name for itself with its Orbit range of turntable power supplies, designed as add-on upgrades to turntables such as Rega and Linn.

Vinyl Asylum: REVIEW: Heed Audio Questar MM Phono Preamp ...

    https://www.audioasylum.com/reviews/Phono-Preamp/Heed-Audio/Questar-MM/vinyl/374763.html
    The Questar also manages to redress the slightly brighter trebly tendencies I’m only now beginning to notice in the Rega. When the second side commences with “Say That You Love Me†, Lindsay Buckingham’s arpeggio guitar fills feel like they’ve been grafted off of a Byrds LP, circa ‘66.

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