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How to prepare your mix for Mastering – Back at the Ranch ...

    https://www.ranchstudio.com/prepare-mix-mastering/#:~:text=%E2%80%A2%20DO%20NOT%20use%20any%20%22all%20in%20one%22,that%20they%20start%20exactly%20on%20the%20first%20note.
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10 Alesis Masterlink Tips - Uncategorized - Harmony …

    https://www.harmonycentral.com/articles/uncategorized/10-alesis-masterlink-tips-r112/
    The Alesis MasterLink was one of the first stand-alone CD burners designed specifically for mastering; it incorporates a host of mastering-oriented DSP, and can record/play back CD-Rs in 24-bit as well as 16-bit resolution. These 10 tips will show you to get even more out of this versatile device.

Alesis MasterLink - Sound On Sound

    https://www.soundonsound.com/reviews/alesis-masterlink
    MasterLink normally burns audio CDs as Red Book-standard discs, which means they'll play on ordinary CD players, and should be acceptable as masters for commercial CD production. If you want to save a playlist where the material was at a different rate to audio CD, it is stored in something Alesis call the CD24 format, which is in fact a CD‑ROM format rather than an audio …

Alesis Masterlink 101 - Eddie Ciletti: From Digital Audio ...

    https://tangible-technology.com/alesis/masterlink/Masterlink1.htm
    Tips on using and upgrading the Alesis ML-9600, a.k.a. MASTERLINK ... A Playlist is like a folder for audio files from which a CD can be burned. ... Once DAT recorders evolved to their technical limits, the Alesis Masterlink stepped in to carry on. It’s more than a …

Alesis Masterlink ML-9600

    http://www.alesis.com/products/view/masterlink-ml-9600
    Only MasterLink lets you capture your mixes in stunning 24-bit, 96kHZ; edit your recording and apply finishing tools - such as high-resolution parametric EQ Compression, limiting and normalizing - all in the same system and then burn the finished recording in either industry-standard Redbook, or new high resolution CD24, fast becoming the new standard for archiving …

Alesis MasterLink ML-9600: MASTER DISK RECORDER

    https://www.mixonline.com/recording/alesis-masterlink-ml-9600-master-disk-recorder-372676
    To transfer high-resolution audio or anything other than Red Book audio files from a DAW into MasterLink, you must play the DAW’s audio files in real time and record-preferably via digital I/O-to MasterLink’s internal hard drive. MasterLink can also copy individual tracks, one at a time, from Red Book CDs to its hard drive. V.

Alesis MasterLink ML-9600: 24-bit/96kHz Hard Disk/CD-R ...

    https://www.mixonline.com/recording/alesis-masterlink-ml-9600-24-bit96khz-hard-diskcd-r-mastering-recorder-375000
    Suited for a variety of applications, ranging from studio recording and mastering, to broadcast, live theater and audio post use, the Alesis MasterLink marks an important step in creating a high-resolution stereo recording solution that’s flexible, versatile and based on standard, low-cost media.

Alesis Masterlink? - Gearspace.com

    https://gearspace.com/board/so-much-gear-so-little-time/935476-alesis-masterlink.html
    I've had one since they came out, yes you can do "mastering" in this box although I wouldn't. I mix on an analog console and I use the master link as my mix down medium. I have some apogee converters in front. I thought about the DA3000 but so far mastering houses haven't really embraced that box, whereas the masterlink files are easily dealt with.

Alesis Masterlink - Gearspace.com

    https://gearspace.com/board/low-end-theory/55159-alesis-masterlink.html
    Then the best part is the converters are supreme!! I use the masterlink as a converter more than I do as a recording device. It is truly a high quality product and I've never had a single problem with it. I'd like to see Alesis come out with a re designed version of the Tascam DVD audio recorder that is currently on the market.

Audio Mastering Tips | How to prepare your mix for …

    https://www.sageaudio.com/audio-mastering-tips.php
    Levels. The loudest part in a mix should peak at no more that -3db on the master bus. There should never be a limiter set on the master bus. Final dynamic control and level should be left to the mastering engineer. This allows the engineer to create the proper dynamic level for radio play, CD, or mp3 duplication.

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