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US8340307B2 - Passive sound pressure level limiter ...
https://patents.google.com/patent/US8340307B2/en
A passive sound pressure level (SPL) limiter is provided that can be used with audio sources of varying drive levels and headsets, earbuds, etc. of varying sensitivity. The SPL limiter includes a...
- Home [audiolimits.com]
The R 3 Series is a compact speaker line based on a mixture of evolution and new inventions. All that we believe a pair of floor standing speakers should ever deliver, the R 3 does to perfection. As for wife acceptance factor, the R 3 series ranks high. $5500. – $9999. Thrax Audio Yatrus Direct Drive Turntable.
Channel Islands Audio PC4 MK II passive controller and ...
https://www.thesoundadvocate.com/2019/10/channel-islands-audio-pc4-mk-ii-passive-controller-and-c100s-amplifier/
The debate over passive vs. active preamps continues on within the audio community with the prevailing wisdom being that an active preamp is better than any/all passive preamps. What about this? As with so many things in audio the answer is…it depends. Channel Islands new PC•4 MKII Passive Controller is a tiny, minimalist passive audio ...
Crossovers: Passive crossovers - Lenard Audio
https://education.lenardaudio.com/en/06_x-over_2.html
What is an L-pad ? L-Pad is a level control used in passive speaker systems to attenuate (reduce) power to the tweeter in a 2-way system as well as the mid speaker in a 3-way system. Most mid range speakers and tweeters are approx +6dB more efficient than woofers. Inside the L-Pad is 2 wire wound elements which are arranged to maintain a constant …
Digital, Passive or Amp volume control | Audio Science ...
https://www.audiosciencereview.com/forum/index.php?threads/digital-passive-or-amp-volume-control.17810/
Audio processing these days is done in 32-bit or 64-bit float. High-performance DACs have >120 dB of dynamic range (~20 bits), with >110 dB (~18 bits) of good linearity or better. 110 dB (~18 bits) will give very good coverage of human hearing needs. 90 dB (~15 bits) is about the limit for actual (acoustic) recordings.
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