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Audio Levels 101 – All You Need Is LUFS | Audiodraft

    https://www.audiodraft.com/blog/audio-levels-101-all-you-need-is-lufs/#:~:text=Especially%20in%20broadcast%20media%20%28TV%2C%20radio%2C%20etc.%29%20there,annoying%20dynamic%20bumps%20between%20commercials%20and%20programme%20audio.
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Broadcast Audio Levels | AudioPressBox

    https://www.audiopressbox.com/pages/broadcast-audio-levels
    Broadcast Audio Levels APB-112 SB-D – Active, Portable, AudioPressBox unit, 1 channel DANTE input, 12 LINE/Mic outputs 1 channel DANTE input - RJ45 ethercon

5 Broadcast Audio Spec Sheet Terms Every Editor Must ...

    https://blog.frame.io/2017/08/09/audio-spec-sheet/
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Audio Levels 101 – All You Need Is LUFS | Audiodraft

    https://www.audiodraft.com/blog/audio-levels-101-all-you-need-is-lufs/
    Especially in broadcast media (TV, radio, etc.) there are standards that require the audio to have a strictly defined integrated loudness level, most commonly -23 LUFS. This is to ensure healthy sounding audio and to avoid those annoying dynamic bumps between commercials and programme audio.

BROADCAST AUDIO LEVELS - Apple Community

    https://discussions.apple.com/thread/594942
    Audio for broadcast should never peak over -6db and average signal level should be -12db. This means that your dialog and normal music levels should peak at -12db, while the loudest transients and sound effects should not exceed -6db.

Introduction to Broadcast Loudness Standards — Pro …

    https://theproaudiofiles.com/introduction-broadcast-loudness-standards/
    The new digital TV format required a surround sound mix. Even if you only used the small stereo speakers in your flat screen TV, the audio was a fold-down of the 5.1 mix. Mixing for surround broadcast TV through the 2000s was like the wild wild west. Generally, we kept the center audio channel, which contained the announcer, hovering around 0VU.

Broadcast Audio Levels - Apple Final Cut Pro Legacy ...

    https://creativecow.net/forums/thread/broadcast-audio-levels/
    April 8, 2010 at 3:55 pm. The correct level is whatever the broadcaster says it is. Usually the peak is around -6 or -3 but we delivered to one European network that required the peak to be -16 with the entire show normaled at -20. Way too low for my tastes, but that’s what they required and that’s what we delivered.

Audio Levels for broadcast - Avid Community

    https://community.avid.com/forums/p/68675/384155.aspx
    Forums » Professional Video Editing & Finishing Forums » Avid Media Composer - Mac » Audio Levels for broadcast Latest post Wed, Feb 18 2009 5:20 PM by phoenixofedair . 4 replies. Page 1 of 1 (5 items)

Broadcast Audio levels for television.

    http://www.lafcpug.org/phorum/read.php?1,193504,193534
    The reference tone (from the Effects Tab) is -12 and the show is expected to peak at -6 to -4. Just like the video demo shows. People who never experience analog television figured out that if you put DV tone on the timeline (-12) but broadcast level show (also around …

Audio Specs for Television Broadcast - Avid Pro Audio ...

    https://duc.avid.com/showthread.php?t=131327
    Audio levels must be consistent throughout the program.. Transmission limiters clip at +8 dB. FOR BROADCAST "FULL MIX" TRACKS, TRANSIENT AUDIO PEAKS MUST NOT EXCEED +10 dB ABOVE REFERENCE TONE WHEN MEASURED ON AN AUDIO METER USING THE "TRUE PEAK" BALLISTIC SET (0 MS RISE, 200 MS FALL). FOR SECONDARY AUDIO TRACKS, …

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