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DPC Audio/Video Digitization Standards & Equipment | Duke ...

    https://library.duke.edu/about/digital-production-center/avstandards#:~:text=Audio%20Digitization%20Standards%20%20%20Audio%20Derivative%20Specifications,%20%20Identical%20left%20and%20right%20channels%20
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Audio and Video Digitization Standards v1 2019 (2)

    http://digitallibrary.tulane.edu/sites/default/files/Audio%20and%20Video%20Digitization%20Standards_v1.1_2019.pdf
    Audio and Video Digitization Standards for TUDL Preservation masters Audio CD-Audio Recommended: Uncompressed PCM BWF with at 44.1kHz, 16 bit Rationale: CD-Audio optical discs are inherently 44.1kHz, 16 bit files. There is nothing to be gained by transcoding these files to a higher resolution. ----- Digital native audio

Digital Audio Standards - Audio Engineering Society

    https://www.aes.org/aeshc/docs/aeshist/standards.hist/digital.standards/jaes26-1.pdf
    lishment of standards for digital audio is recognized throughout the industry. Such standards will enable the transfer of data from one medium to another to be accomplished without intermediate digital-to-analog and analog-to-digital conversions. The data presented here are

Audio Digitization - Historical Voices

    http://www.historicalvoices.org/papers/audio_digitization.pdf
    digitization hardware must be of a high quality [9]. Moreover, some resources recommend practices that are fundamentally flawed. One of the most common of such practice is digitizing analog materials directly from a stand-alone CD burner to an audio CD (e.g., Colorado 2001[2]), a practice that can often lead to poor digital sound quality.

Audio and Video Guidance: Resources - National Archives

    https://www.archives.gov/preservation/formats/audio-video-resources
    IASA-TC04: Guidelines on the Production and Preservation of Digital Audio Objects; Handling and Storage of Audio and Video Carriers; AES17-1998 (r2009) AES standard method for digital audio engineering - Measurement of digital audio equipment (Revision of AES17-1991) Reports and Guidelines. FACET: The Field Audio Collection Evaluation Tool

Digitization Best Practices - Digitization Services ...

    https://libguides.mst.edu/c.php?g=335435&p=2256780
    Preservation-quality audio and audio digitized from an analog source should use a higer sample rate and file bit-depth. The current standard for archival digitization of analog recordings is 96 kHz with a 24-bit depth. Ther are several reasons for this:

Federal Agencies Digital Guidelines Initiative

    http://www.digitizationguidelines.gov/
    The FADGI Audio-Visual Working Group has developed guidelines for embedding metadata in the DPX header, a file format often used for digitized motion picture film. The guidelines outline FADGI implementations of the SMPTE Core fields as well as other elements Strongly Recommended, Recommended or Optional for FADGI use.

Best Practices for Digitization | Minnesota Digital Library

    https://mndigital.org/standards-best-practices/best-practices-digitization
    Standards and best practices for video digitization projects vary widely. We direct you to some of the recent resources developed by both the Federal Agencies Digital Guidelines project and the Library of Congress. Further Reading. Federal Agencies Digital Guidelines Initiatives; Library of Congress: Recommended Formats Statement

Q. Why so many digital audio formats, and what are they …

    https://www.soundonsound.com/sound-advice/q-why-so-many-digital-audio-formats-and-what-are-they
    These were called AES-EBU (now more commonly referred to by the AES standards document number, AES3), and MADI (Multi-channel Audio Digital Interface). A comparison chart showing different types of digital audio protocols.

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