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Critical Distance For Microphone Positioning
https://www.vocal.com/dereverberation/critical-distance/#:~:text=Critical%20distance%20is%20the%20distance%20from%20the%20sound,distance%20a%20listener%20is%20in%20the%20reverberant%20field.
What Is Critical Distance And Why Is It So Important To ...
https://www.acousticfields.com/what-is-critical-distance-and-why-is-it-so-important-to-your-audio-experience/
Critical distance is that physical place in your room where the room sound from your room is mixed with the direct sound from the speakers. The direct sound is that sound which travels in the shortest distance between two points which is a straight line.
Acoustics: Critical Distance - Lenard Audio
https://education.lenardaudio.com/en/04_acoustics_2.html
Critical Distance is the distance from the sound source where the direct and reverberant sound energies become equal. The more reverberant a room is, the closer the Critical Distance is to the sound source. The more absorbent a room is, the further the Critical Distance is from the sound source. (Critical Distance is different at all frequencies).
Critical Distance | MCK Audio
https://mckaudio.com/the-research/critical-distance/
critical distance and musicians remaining a sufficient distance from each other During this Covid19 pandemic we have all become concerned about the proximity of one vocalist or instrumental musician to another.
Critical Distance For Microphone Positioning
https://www.vocal.com/dereverberation/critical-distance/
Critical distance is the distance from the sound source at which the reverberant sound level and the direct signal level are equal. When standing at less than the critical distance a listener resides predominantly in the direct sound field. At any location beyond the critical distance a listener is in the reverberant field.
Critical Distance and Microphone Placement
https://service.shure.com/s/article/critical-distance-and-microphone-placement?language=en_US
This is D c, the Critical Distance. For excellent audio, where should a microphone be placed in relation to D c ? In general, an omnidirectional microphone should be placed no farther from the talker than 30% of D c , e.g. if D c is 10 feet, an omnidirectional …
Critical distance - Wikipedia
https://en.wikipedia.org/wiki/Critical_distance
Critical distance is, in acoustics, the distance at which the sound pressure level of the direct sound D and the reverberant sound R are equal when dealing with a directional source. As the source is directional, the sound pressure as a function of distance between source and sampling point (listener) varies with their relative position, so that for a particular room and source the …
Recording Considerations - Teach Me Audio
https://www.teachmeaudio.com/recording/sound-reproduction/recording-considerations
Critical distance may be estimated by listening to the sound source at close range, then moving it back until the sound level no longer decreases but seems constant. 3 to 1 Rule When multiple microphones are used, the distance between them should be three times the distance from each microphone to its intended sound source.
Optimal distance between loudspeakers – PS Audio
https://www.psaudio.com/pauls-posts/optimal-distance-between-loudspeakers/
The instructions provided Harbeth specify the seating position 1.5 times from the distance between the speakers. Grimm LS specify 45 degrees toe-in, 30 degrees if 45 cannot be accommodated, and there are equalisation settings in the …
Acoustics: Principles - Lenard Audio
http://education.lenardaudio.com/en/04_acoustics.html
The total distance being 20 meters 60ft, which is 30 milli-sec delay. Sound reflected back from 10 meters and greater cause difficulty for musicians especially when playing modern percussive music. Echo is heard as distinct repeat, 100 milli-seconds (1/10 sec) or greater, from walls and ceiling with path-lengths greater than 15 meters (45ft) apart.
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