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AES 17th Conference in Florence - AES | Audio …

    https://www.aes.org/events/17/
    The Audio Engineering Society 17th International Conference: High-Quality Audio Coding, 2-5 September 1999. AES 17th Conference High Quality Audio Coding 1999, September 2nd-5th: Villa Castelletti Signa (near Florence) Italy . Home Program Papers Location ...

AES 17th Conference in Florence - Abstracts

    https://www.aes.org/events/17/papabs.cfm
    AES 17th Conference in Florence - Abstracts. 1-1 Audio Coding in Digital Broadcasting Systems. Martin Dietz, Fraunhofer-Institut für Integrierte Schaltungen IIS-A, Erlangen, Germany (Invited) High quality audio coding is one of the key technologies for digital broadcasting systems, since this technology allows sufficiently low datarates for ...

AES Special Publications: Conference Proceedings and ...

    https://www.aes.org/publications/conf.cfm
    Proceedings of the AES 17th International Conference: High-Quality Audio Coding, Florence, Italy, 1999 September 2-5.

Exploiting Excess Masking for Audio Compression

    https://smcnus.comp.nus.edu.sg/wp-content/uploads/papers/5.Error_Robust_Audio_Streaming/1999_Exploiting_Excess_Masking_for_Audio_Compression.pdf
    Ye Wang and Miikka Vilermo/Exploiting Excess Masking for Audio Compression AES 17th International Conference on High Quality Audio Coding 2 unpredictability measure has to be under a certain threshold; 3) They have to be greater than 10.0 dB. Then the algorithm finds the first component that meets the criteria. Afterwards it searches for other ...

Temporal Noise Shaping, Quantization And Coding Methods …

    https://mp3-tech.org/programmer/docs/Temporal%20Noise%20Shaping%20Quantization%20and%20Coding%20Methods%20in%20Perceptual%20Audio%20Coding%20-%20A%20Tutorial%20Introduction.pdf
    Jürgen Herre TNS, Quantization and Coding Methods AES 17th International conference on High Quality Audio Coding 2 1. TEMPORAL NOISE SHAPING (TNS) The Temporal Noise Shaping (TNS) technique represents a rather novel concept in perceptual audio coding and was first introduced in 1996 [11]. As outlined below, it can be considered an extension of the

AES Conference Papers Forum » MP3 and AAC Explained

    https://secure.aes.org/forum/pubs/conferences/?elib=8079
    Beyond the basics, the focus is on quality issues and compression ratio/audio bandwidth/artifacts tradeoffs. Author: Brandenburg, Karlheinz Affiliation: Fraunhofer Institute for Integrated Circuits FhG-IIS A, Erlangen, Germany AES Conference: 17th International Conference: High-Quality Audio Coding (September 1999) Paper Number: 17-009 ...

AES E-Library » MP3 and AAC Explained

    https://www.aes.org/e-lib/browse.cfm?elib=8079
    MPEG-1 audio consists of three opcrating modes called layers with increasing complexity 100 AES 17th INTERNATIONAL CONFERENCE MP3 AND AAC EXPLAINED and performance from Layer-1 to Layer-3. Layer-3 is the highest complexity mode, oprimised to provide the highest quality at low bit-rates (around 128 kbit/s for a stereo signal), 2.2.

AES Conferences - Audio Engineering Society

    https://www.aes.org/events/conferences/
    AES Conferences are held periodically in locations around the world. Conferences focus on a specific field of audio engineering. They serve to create a forum amongst professionals in that field and through these gatherings and the publication of their proceedings, contribute to the advance of international science and technology.

AES E-Library » High Quality Audio Coding: An Overview

    https://www.aes.org/e-lib/browse.cfm?elib=7722
    This paper gives an overview of research into coding high-quality digital audio. The most common techniques for efficient coding, perceptual coders, are described. A description of the different building blocks that make up the encoding and decoding processes is given. This includes the time-frequency mapping, psychoacoustic model, bit allocation, and …

40th International AES Conference - Audio Engineering …

    https://www.aes.org/events/40/
    However, some technological challenges still remain in capturing, coding, transmitting, and reproducing spatial audio. If you care about spatial audio and are involved in its various applications, you cannot afford to miss the AES 40th International Conference on Spatial Audio to be held October 8-10 in Tokyo.

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