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(PDF) A Hybrid Time–Frequency Domain Approach to …
https://www.researchgate.net/publication/4192900_A_Hybrid_Time-Frequency_Domain_Approach_to_Audio_Time-Scale_Modification
A hybrid time-frequency domain approach is presented that takes advantage of certain aspects of each broad approach to realize an effici ent and robust time-scaling implementation.
AES Journal Forum » A Hybrid Time—Frequency Domain ...
https://www.aes.org/journal/online/comment/?ID=13663&type=paper
A hybrid method of time scaling is presented, which draws upon appealing aspects of both time-domain and frequency-domain implementations. The technique described can be applied successfully to a wide range of audio and is both robust and efficient. Subjective testing demonstrates that the technique reduces the presence of phasiness significantly.
AES E-Library » A Hybrid Time—Frequency Domain …
https://www.aes.org/e-lib/online/browse.cfm?elib=13663
Frequency-domain approaches to audio time-scale modification introduce a reverberant or phasy artifact into the time-scaled output. Such artifacts are generally not present within time-domain implementations. However, high-quality time scaling in the time domain is typically limited to quasi-periodic signals such as speech.
CiteSeerX — Audio Time-Scale Modification Using a …
https://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.123.6265
Frequency-domain approaches to audio time-scale modification introduce a reverberant artifact into the time-scaled output due to a loss in phase coherence between subband components. Whilst techniques have been developed which reduce the presence of this artifact, it remains a source of difficulty.
Audio Time-Scale Modification Using a Hybrid Time ...
http://eprints.maynoothuniversity.ie/652/
Frequency-domain approaches to audio time-scale modification introduce a reverberant artifact into the time-scaled output due to a loss in phase coherence between subband components. WHilst techniques have been developed which reduce the presence of this artifact, it remains a source of difficulty.
CiteSeerX — Audio time-scale modification using a hybrid ...
https://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.461.1091
BibTeX @INPROCEEDINGS{Dorran05audiotime-scale, author = {David Dorran and Eugene Coyle and Robert Lawlor and David Dorran and Eugene Coyle and Robert Lawlor}, title = {Audio time-scale modification using a hybrid time-frequency domain approach}, booktitle = {In Proceedings Workshop on Applications of Signal Processing (WASPAA), New Paltz}, year = {2005}}
"Audio Time-scale Modification using a Hybrid Time ...
https://arrow.tudublin.ie/argcon/14/
Frequency-domain approaches to audio time-scale modification introduce a reverberant artefact into the time-scaled output due to a loss in phase coherence between subband components. Whilst techniques have been developed which reduce the presence of this artifact, it remains a source of difficulty. A method of time-scaling is presented that reduces the presence of the …
A Hybrid Time-Frequency Domain approach to Audio time ...
https://core.ac.uk/display/300347163
Abstract. Frequency-domain approaches to audio time-scale modification introduce a reverberant/phasy artefact into the time-scaled output. Such artefacts are generally not present within time-domain implementations; however, high quality time-scaling in the time domain is typically limited to quasi-periodic signals such as speech.
Audio Time-Scale Modification Using a Hybrid Time ... - …
https://core.ac.uk/display/20884344
Frequency-domain approaches to audio time-scale modification introduce a reverberant artifact into the time-scaled output due to a loss in phase coherence between subband components. Whilst techniques have been developed which reduce the presence of this artifact, it remains a source of difficulty.
Dr David Dorran - Publications
https://eleceng.dit.ie/dorran/publications.html
Audio time-scale modification using a hybrid time-frequency domain approach, Dorran, David; Lawlor, Bob; Coyle, Eugene, IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, pages: 279 - 282, New Paltz, New York, 2005
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