5.1 Audio Export Fcp | Audio-Digital.net

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5.1 import and export in FCP query - Apple Community

https://discussions.apple.com/thread/3284332

Import a multichannel surround sound QuickTime audio file into Final Cut Pro. Note: Final Cut Pro supports only surround sound audio files that contain the MPEG_5_1_A QuickTime audio track tag and whose channels are ordered in the following sequence: left and right, center, LFE, and left surround and right surround.

FCPX Cannot export 5.1 Surround Sound... … - Apple Community

https://discussions.apple.com/thread/5112931

I tried exporting an AIFF file in 5.1 from FCPX and it failed because 4Gb is the audio file limit. I find it incredible that FCPX cannot export an AC3 correctly. I also cannot find anyone who has done this. FCPX manual docs give almost no pages to export and share istructions - poorly thought out.

Can I Export AC3 Dolby 5.1 Audio with Final Cut Pro 7 ...

https://creativecow.net/forums/thread/can-i-export-ac3-dolby-51-audio-with-final-cut-pro/

There is a way to create a multitrack surround Quicktime out of Final Cut, it involves discrete 5.1 channels on the first 6 audio tracks (L,R,C,Lfe,Ls,Rs conforms to SMPTE spec) but not an ac3. You get some degree of control over audio track number and assignment when sending the sequence to Compressor.

Export final mastering files with Final Cut Pro - Apple ...

https://support.apple.com/guide/final-cut-pro/export-final-mastering-files-ver0192a47b8/mac

Choose File > Share > Export File (or press Command-E). Click the Share button in the toolbar, then click Export File. In the Share window that appears, do any of the following: Move the pointer over the image to skim the video. If you’re batch sharing (exporting multiple items), the image is replaced by a list of the items you’re exporting.

Create a multi-channel MXF file with Final Cut Pro - Apple ...

https://support.apple.com/en-us/HT204261

In the Audio Inspector, click the Channels pop-up menu and choose 6 Mono. In the Audio Inspector, click "Dialogue-1" in the first component of the 5.1 surround mix (not the main audio clip), then choose subrole "L" of the 5-1 Mix role. Assign all other components of the surround file to subroles according to the "Subrole assignments" table.

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