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Why does 16-bit audio have a dynamic range of 96dB? …

    https://www.quora.com/Why-does-16-bit-audio-have-a-dynamic-range-of-96dB-How-is-a-65536-value-converted-into-decibels
    The reason that 16-bit audio has 96 dB(FS) of dynamic range is that each bit in a digital audio system provides 6 dBFS of dynamic range. Why? Because an increase of 6 dB represents a doubling in amplitude. If you imagine a 7-bit system, assume you have 42 dB of dynamic range.

16 bit Audio - produce New Media

    https://www.producenewmedia.com/16-bit-audio/
    Consider the quantified theoretical dynamic range of 16 bit audio (96 dB). When recording with a mic in a typical environment – your system is incapable of effectively utilizing the full dynamic range of 16 bit audio due to the noted (elevated) perceived noise. When producing Podcast audio, wide dynamics capabilities are irrelevant.

16 Bit Audio Recording: What The Heck Does It Mean?

    https://www.homebrewaudio.com/8403/16-bit-audio-recording-what-the-heck-does-it-mean/
    A 16-bit converter gets you 96 dB of dynamic range, which is well beneath our theoretical analog noise floor of -80 to -90 dB. The Rest is History With the above knowledge, the audio industry sort of adopted 16-bit audio as its standard, which among other things is why music CDs are 16-bit audio.

Dynamic range > 96dB in 16 bit!?

    https://www.sweetwater.com/forums/showthread.php?22564-Dynamic-range-gt-96dB-in-16-bit!
    A 16 bit converter provides 96 dB of theoretical dynamic range. However, at any given frequency (e.g. a single FFT cell) up to Nyquist the noise floor will be much lower than -96 dBFS. When you integrate the quantization noise across the Nyquist bandwidth (1/2 FS), you will get the 96 dB number.

The difference between 16-bit depth and 24-bit depth …

    https://www.spektrummastering.com/audio-blog/24bit-depth-16bit-depth-audio/
    16-bit digital has a maximum SNR (signal to noise ratio) of 96 dB and 24-bit digital audio has 144 dB, though the AD-conversion only can handle 123 dB (equivalent to 22-bit). It’s important that the process of making a bit reduction (if necessary) is the last thing you do in the mastering. Otherwise you can accidentally accentuate the noise created by the bit reduction.

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